Why should you care about the Transit of Venus?

Astronomy enthusiasts around the world are gearing up for Tuesday’s celestial show: the transit of Venus across the face of the Sun.  The small black dot of Venus, silhouetted against the bright Sun, will be visible with safe solar telescopes and, to those with especially good vision, with the naked eye when protected by eclipse glasses. If the weather permits, visitors can watch the first two hours of the transit at the National Air and Space Museum.

Some people may have witnessed the last transit, in 2004, but the next transit won’t be until 2117. So it’s a rare astronomical event, occurring in eight-year pairs spaced more than a century apart.  But what’s the big deal about a dot crossing the Sun?

The transit of Venus is more than a good show.  The transits of the 18th century provided the “yardstick” upon which much of modern astronomy is based.

The German astronomer Johannes Kepler had worked out the relative positions of the planets in 1619 – for instance, that Venus’s orbit is about 70% of the size of Earth’s – but no one had made an accurate measurement of the absolute distance between the Earth and the Sun. Without understanding this fundamental distance, astronomers could not grasp the enormous size of the Sun, nor start to measure the distance to the nearest stars.

Parallax is a technique of using widely spaced observing sites to estimate distance using trigonometry. It is a critical part of human vision, called depth perception. Test it out for yourself by holding up a finger in front of you, and closing alternate eyes. The finger appears to jump back and forth against the more distant background. Parallax is only useful for distances which aren’t enormously larger than the distance between the observing sites (the baseline, which is the distance between the eyes for human depth perception). It may help you estimate the distances to objects in a room, but it won’t help you figure out which of two mountains is closer. Similarly, astronomers need a large baseline to have any hope of measuring stupendous astronomical distances.

The first scientific determination of the distance between the Earth and the Sun was done in 1671-1673 by the astronomer Giovanni Cassini, who used parallax to measure the distance to Mars.  He measured the position of Mars against the background stars from Paris while a colleague, Jean Richer, simultaneously measured its slightly different position from French Guiana.  He knew the baseline – the distance between their observing sites – and therefore he could calculate the distance to Mars. Using Kepler’s orbits, Cassini calculated the distance to the Sun.  He found a distance of 140 million kilometers, which was within 7% of the true value.

parallax

Observers at different locations on the Earth see Venus take different paths across the Sun. Image © The Exploratorium, www.exploratorium.edu.

The English astronomer Edmund Halley suggested using the transit of Venus as a more precise cosmic yardstick, though he did not live to see it work. For the transits of 1761 and 1769, astronomers traveled all over the world, getting as long a baseline as possible, to implement his idea. It was the first major international collaboration of scientists for astronomy. They carefully timed how long it took for Venus to cross the Sun’s disk, which helped fix Venus’s path across the Sun. Observers in far-flung locations recorded slightly different paths taken by Venus across the Sun (see figure).  They used parallax to find the distance between the Earth and the Sun.  Their measurements were accurate within about 2%: they found a distance of about 153 million km (95 million miles), while modern radar observations, again using Venus, pin the distance down at 150 million km (93 million miles). These distance measurements set the groundwork for much of future astronomy.

Tahiti

Point Venus in Tahiti, where James Cook observed the Transit of Venus in 1769. William Hodges, oil on canvas. Photo credit: National Library of Australia.

Join us at the National Air and Space Museum on Tuesday, June 5 for a presentation of the importance of the transit of Venus.  From 5:45 – 6:30 pm, Museum experts will discuss the science and the history of Venus transits while the transit itself, beginning just after 6 pm, will be streamed onto the gallery’s large screens. Afterward, if weather permits, look through our safe solar telescopes to see the transit with your own eyes, attend a lecture on how we use transits to find planets around other stars, and finish up the evening with stargazing at the Public Observatory. Admission to all events is free, but tickets are required for the lecture.

 

Geneviève de Messieres is an astronomy educator at the National Air and Space Museum.

Shedding Light on a Common Problem

If you’ve been to any of the nighttime observing sessions at our Public Observatory, you might have wondered why we mostly view the planets and the Moon. After all, the Observatory houses a professional 16-inch telescope, and several other high-quality portable telescopes; shouldn’t they be able to show us great views of galaxies or nebulas?   They should, and they could, if they were located at what astronomers call a “dark site” — away from the city lights that often outshine the lovely stars of nighttime.

 

Public Observatory

The Observatory at night. Photo credit: National Air and Space Museum, Eric Long

The problem is light pollution. The International Dark-Sky Association (IDA) defines light pollution as “any adverse effect of manmade light.” This includes but isn’t limited to our disappearing view of the Milky Way and the difficulties astronomers experience in making observations of celestial objects. Living things experience many effects as well: nocturnal animal populations are shrinking as they have difficulty finding food and hiding from predators, sea turtle hatchlings can have trouble finding their way to the ocean and die, and migrating birds can be disoriented by lights. Emerging research on the effects on humans indicates several problems associated with disruption of circadian rhythms and melatonin production, not to mention the safety-related dangers that come with poor visibility at night caused by glaring lights. But there are easy solutions: shielding lights to reduce glare, dimming lights to provide the right amount of light, and turning off lights when they’re not needed.

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Potential intruder hides in the glare from a “security light.” Photo credit: George Fleenor

When we decided to build the Observatory as a place for the public to gather and do astronomy together, we knew that light pollution would be an issue for us. But in order for it to be a convenient gathering place that people could get to easily, we knew we needed to build it in the city, where the people are. It was an easy decision when we considered what we were trying to do, and so far more than 2,000 visitors have enjoyed our nighttime observing sessions.

And yet we and our visitors long for darker skies and the ability to view fainter stars, galaxies, nebulas. Wouldn’t it be wonderful to be able to look at the majestic arms of the Milky Way from Washington, DC? It won’t happen for us until we have more intelligent and efficient street lighting here in our nation’s capitol and in the surrounding area. One way to work toward this is to collect scientific data that can be shared with decision makers to demonstrate what our current situation is regarding light pollution, how it’s been changing, and its effects.

Since 2006, citizen scientists from around the world have been participating in a program called GLOBE at Night. It’s a worldwide attempt to measure light pollution and see how it varies from place to place and year to year. This year, there are four opportunities to participate: January 14-23 (right now!), February 12-21, March 13-22, and April 11-20. The dates are selected so that the Moon won’t be up in the sky when participants are making observations, because the Moon also brightens the sky and can outshine the stars, especially when it’s near a full moon.

Magnitude

The constellation Orion, as it appears under magnitude 2 (left) and magnitude 4 (right) skies. Photo credit: GLOBE at Night/NOAO

Want to join in? Here’s how it works: Go outside an hour or more after sunset and give your eyes a chance to adjust to the darkness. Find the constellation Orion by looking in the southern sky. GLOBE at Night provides magnitude charts that show what Orion looks like with different amounts of light pollution. Magnitude refers to how bright the stars are, and when you’re talking about light pollution, it describes the faintest stars that can be seen. Determine which magnitude chart looks most like what you see that night and report it online. The reports show up instantly on GLOBE at Night’s interactive map viewer, so you can compare what you see to what people in different places around the world see. On Saturday night, January 14, I reported magnitude 3 skies from the Public Observatory in Washington, DC, and I’d love to know what your skies are like!

 

Moon

The waxing gibbous Moon as we viewed it on December 3, 2011. Photo credit: National Air and Space Museum, Genevieve de Messieres

For now, we mostly stick to visually observing the planets from the Observatory’s perch at the National Air and Space Museum. These objects are bright enough and big enough to observe easily even under light polluted skies, and they aren’t especially sensitive to the unstable air in our area which blurs high-powered views. The Moon fascinates me every time I see it, even when I see it every day. I enjoy observing the planets and looking for subtle changes and details I never noticed before, and I think that many of our visitors wouldn’t disagree. And this past Saturday night, I delighted in a great view of the Orion Nebula, a star-forming region, through our telescopes. But I am hopeful for a future in which we can use our fantastic telescopes to see more of the farther, fainter wonders of our universe from the National Mall in Washington, DC.

Katie Nagy is an astronomy educator at the National Air and Space Museum in Washington, DC.

Learning to Capture the Sun

The Public Observatory Project is just over a year old now, and in that time we’ve been  experimenting with the telescope to discover what is visible in the daytime sky and devise ways that our visitors can have the best experience possible.  One of our goals is to use our equipment to take images of the Sun, so that we can share our star’s day-to-day activities with the visiting public as well as those who can’t make it to the Mall to look through our telescopes.  We wanted to capture true-to-life images of the Sun as it appears through our telescope and make interesting features clearer and more apparent.

It would be dangerous to use a normal telescope to look at the Sun because the Sun’s concentrated and unfiltered light would damage your eyes.  One of the tools we use to look at the Sun safely is our Lunt Solar Systems hydrogen-alpha telescope that filters out all but one wavelength of red light. This makes it safe for viewing a part of the Sun’s atmosphere, called the chromosphere.  To take images of the Sun, I started out with this telescope, as well as a Lumenera SKYnyx 2-0 Color camera that fits where the eyepiece usually goes. We also have a laptop with software to control the camera, called Lucam Recorder.  With these in hand, I set off to take some of my first images of the Sun.

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This image of two prominences was taken on June 8, 2010.

Through some experimentation, I found out that different exposure settings revealed very different details on the Sun. First I cranked up the exposure to capture the faint prominences coming off the edge of the Sun and took a series of images. Next, I turned down the exposure to what I thought was an appropriate level to capture details on the Sun’s surface before taking a second series of images. I used a processing program called the GIMP to merge the two images by selecting the disk detail and moving it on top of the prominence image.  But, something wasn’t quite right. This didn’t look much like what I was seeing with my own eyes. So, I turned to a local amateur solar imaging expert and friend of the National Air and Space Museum: Greg Piepol.

Greg’s solar imaging work, which you can check out on his website sungazer.net, has been praised for its beauty and attention to detail. My colleague at the Observatory and fellow Sun imager, Katie Moore, and I were thrilled that he agreed to come into the Museum and show us how he captures such stunning images.

Greg taught us several things that improved our imaging. The first and most important was that we had been drastically overexposing the disk of the Sun, which washed out the details we were trying to capture. Greg also taught us how to better use an image stacking program called Registax, which takes individual frames from a movie file and stacks them together, thereby removing a lot of noise caused by Earth’s turbulent atmosphere. Astronomers call this “seeing,” which is what makes the stars twinkle. He also showed us other image processing techniques in the GIMP, such as levels adjustment and color correcting that brought out details on the Sun.

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This image was taken on July 28, 2010, the day after Greg Piepol came to visit. The small dark Sunspot near the top of the disk is about the same size as the Earth!

This was most certainly closer to what we had seen in the telescope. But of course, as they say, practice makes perfect. Over the next few months I took pictures as often as I could. I learned the extreme importance of making fine adjustments to the filters inside the telescope to get exactly the right details. I learned the advantages of using a double-stacked filter on top of our telescope to help make the darker wispy absorptive lines in the solar atmosphere, called filaments, truly pop out.  I also learned the importance of careful processing to coax the most detail possible out of the raw data.  It is interesting to compare the final product to one of the raw, unprocessed images to see what a difference it makes.

This is a single frame from the raw video before the image is processed

This is a single frame from the raw video before the image is processed

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This final processed image of a Sunspot was taken on July 30, 2010

A large prominence on the Sun, taken on September 15, 2010

A large prominence on the Sun, taken on September 15, 2010

This mosaic of 2 images highlights a large Sunspot group, as well as a dark filament in the Sun’s chromosphere.

This mosaic of 2 images highlights a large Sunspot group, as well as a dark filament in the Sun’s chromosphere.

And so, the journey continues! The Sun is always changing, and there are always more techniques to be learned and perfected. If you get the chance, come see the Sun for yourself at the Public Observatory, which is open Thursday through Sunday, 11 am to 3pm for the month of October, weather permitting.  We are ordering an upgraded camera and some new software to better process these images, so be on the lookout for new images online!

Erin Braswell is an Astronomy Educator at the National Air and Space Museum.

Dome In A Day: Progress on the Public Observatory Project

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The Public Observatory Project (POP) is nearer to completion.  We are in the process of installing a large professional Boller & Chivens telescope in a 22-foot dome that will be available for four hours each day (weather permitting) to view the Sun, Moon and planets from the east terrace of the Museum. POP will be available for casual observing and for school and special interest groups. It will also be the Museum’s nerve center for the International Year of Astronomy throughout the rest of 2009 and well into 2010.

Over the past two weeks many people have devoted many many hours to making the Public Observatory Project (POP) closer to being ready for the public.  Once the rim of the foundation had been cast, Andy, Katie and John used both GPS and a simple shadow gnomon to determine the north-south alignment, marking the line on the rim of the foundation.  Then, a concrete pad was poured and leveled, followed by thick pads of Sorbothane, then a 6 x 6 foot iron plate, and finally the sole plate, tilted 3.6 degrees to the north to accommodate the latitude difference between Harvard, Massachusetts, the original home of the Boller & Chivens telescope, and Washington, D.C.  Larry and Ted continued to work on modernizing and ruggedizing the electronic relay system for the telescope, the pier was poured and trimmed, and finally, this week, assembly started.

The dome gore sections were brought to the terrace, as well as the walls, with the help of Joe Deregt, who came all the way from Australia to lead the charge.  The dome was assembled, then the walls went up.  Finally, yesterday, the 60-ton crane arrived, the pedestal was fitted to the pier base, and, by noon, the dome was lifted into place, carefully fitted by adjusting the base, and finally, after testing dome rotation (smooth!) the walls were secured to the foundation rim. At the end of the day, Frank, Stephanie, Joe and David were treated to dinner by curators from the Division of Space History!

More background on this project is provided in a previous blog post.

Dr. David DeVorkin is curator of the History of Astronomy in the Space History Division of the National Air and Space Museum.

International Year of Astronomy Public Observatory Project at The National Air and Space Museum

2009 is the 400th anniversary of Galileo’s use of a telescope to examine the Moon, Venus, Jupiter and the Milky Way.  He probably wasn’t the first to do so, and of course he didn’t invent the telescope.  But he was the first to tell the world about what he saw, in terms everyone could understand and appreciate.  That is why the International Year of Astronomy has as its central goal giving as many people as possible the chance to look through a telescope and to enjoy the practice of doing astronomy, just like Galileo did, and better even!

The idea of such a celebration was born at a meeting of the International Astronomical Union. Once every three years, astronomers from all over the world meet in General Assembly.The last time was August 2006, in Prague. While some astronomers unceremoniously demoted Pluto at this meeting, others vowed to reaffirm that astronomy is for everybody, and is everywhere and anywhere you can see the sky,day or night. Some even proclaimed that they’d make it their mission to help anyone who wished to have the opportunity to peer through a telescope at a star, the Sun, Moon or a planet.

I was at that meeting,and thought it was a terrific idea. No, not demoting Pluto, but the IYA. I remember asking myself, how can The National Air and Space Museum contribute to this wonderful goal? The Washington Mall is not the best place to view the night sky, or the day sky for that matter. But it is where the people are – people of every shape, size, gender, persuasion. It’s one thing to get people to go where telescopes are, but its quite another to bring telescopes to the people. John Dobson and the San Francisco Sidewalk astronomers know that. So I took a tip from them and decided to build a public telescope on a Washington sidewalk, or as close as the Fine Arts Commission and the National Capitol Planning Commission would allow. Thus was born the Public Observatory Project at the National Air and Space Museum.

POP’s goal is to put a high-end fully professional telescope where the people are. These will be people who are not looking for a telescope to look through. No, these are the millions of people who come to Washington, to the Mall, to find themselves and their heritage. Encountering a telescope in the process, a big one in a visible white dome, one that can show you celestial sights of all sorts, will be a surprise for some, hopefully a delight to all. A modest value-added experience to what is a lifetime pilgrimage for many Americans.

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