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Taking Flight with Lady Liberty

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What comes to mind when you think of the Statue of Liberty? America, freedom, democracy. Her image is immediately recognized around the world as an ambassador for the United States and icon of the American dream.  She has been the focal point of many a celebration over the years and in several cases, the gracious hostess (and waypoint) for aerial races and demonstrations.  In celebration of her 125th anniversary, we gathered a few images, objects, and posters that feature inspiring views of Lady Liberty in the context of flight.

Wilbur Wright flies a Wright Type A by the Statue of Liberty during the Hudson-Fulton Celebration in 1909. (Smithsonian National Air and Space Museum Archives)

Wilbur Wright  was contracted for $15,000 to make a series of flights during the two-week Hudson-Fulton Celebration in 1909, which was commemorating the 300th anniversary of Henry Hudson’s first entry into what would become New York Harbor, and the centennial of Robert Fulton’s first voyage of his North River Steamboat up the Hudson River in 1809. Wilbur made a seven-minute flight on September 29th , circling the Statue of Liberty.  On October 4th, he made a long-distance flight of more than 33 minutes and approximately 20 miles from Governor’s Island to Grant’s Tomb and back, again circling the Statue of Liberty.  It is estimated that a million people witnessed Wilbur’s flight up the Hudson from Governor’s Island. For these flights, Wilbur attached a red canoe under the airplane as a make-shift pontoon in the event he was forced down in the water.  The canoe survives and today is on display in Carillon Historical Park in Dayton, Ohio.

The popular journal "Harper's Weekly" covered Wilbur's circling of the Statue of Liberty. An original is on display in "The Wright Brothers & The Invention of the Aerial Age" exhibition in Washington, DC. (Smithsonian National Air and Space Museum Archives)

John Bevins Moisant flew over New York Harbor in 1910 in a Blériot XI monoplane. This flight took place during the Statue of Liberty Flight prize race on October 27, 1910.  The race was the final event in one of the first major flying meetings held in the U.S., the International Aviation Tournament at Belmont Park, NY.

Clock from the Lindbergh King Collection ( (Smithsonian National Air and Space Museum)

Lady Liberty appears frequently in memorabilia commemorating Charles Lindbergh’s historic solo transatlantic flight from New York to Paris. On this clock, displayed at the Museum’s Steven F. Udvar-Hazy Center, the Statue of Liberty represents New York (America) while the Eiffel Tower represents Paris (Europe) with the Spirit of St. Louis flying between them. Not to scale, of course.

TWA used an inspiring visual of Lady Liberty with one of their Lockheed Constellation aircraft in this advertisement for commercial passenger service to and across the U.S. (Smithsonian National Air and Space Museum)

 

Bill Bennett demonstrates his tow-kite in a flight around the Statue of Liberty on July 4, 1969. (Smithsonian National Air and Space Museum)

Bill Bennett played a key role in the initial development of hang gliding in the U.S. He was a spectacular promoter of the sport and stirred publicity for his tow-kites when he flew near the Statue of Liberty on July 4, 1969, released his towrope and circled the monument twice, landing at its base. Several of his gliders are in our collection.

In 1986, a major celebration was held for the restoration and 100 year anniversary of the Statue of Liberty. Liberty Weekend included a blimp race and flyover by the U.S. Air Force Thunderbirds aerial demonstration team.  We don’t have any images from Liberty Weekend handy, but here is a great shot of the Thunderbirds with Lady Liberty in 2005.

Six F-16 Fighting Falcons with the U.S. Air Force Thunderbirds aerial demonstration team fly in formation over the Statue of Liberty before an air show May 26, 2005. (U.S. Air Force photo by Staff Sgt. Josh Clendenen)

Over the years, the Statue of Liberty has symbolized many things, Freedom, Enlightenment, Compassion, Acceptance to all those arriving in the land of opportunity — what does she mean to you?

Packing up Our Secret Decoder Ring

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Blogs across the Smithsonian will give an inside look at the Institution’s archival collections and practices during a month long blogathon in celebration of October’s American Archives Month. See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website.”

 

Contents of Box

Flat box containing "Aircraft Recognition Training Materials" collection, Accession XXXX-0158.

 

You know when you’re packing up for a move to a new house — boxes everywhere — frantic activity to get everything stored away before the movers arrive,  and you still have to clean out the fridge.  Suddenly you come across an old family treasure — a photo album, your old baseball cards, or maybe your raygun collection — and everything stops while you rummage nostalgically for a few minutes. That’s what’s been going on from time to time in the Museum’s Archives Division offices, as we prepared for our move to the Stephen F. Udvar-Hazy Center this month. We would pause from time to time to appreciate some of our favorite things — our chief photo archivist Melissa Keiser tells the story of one such artifact:

One day I was in the Archives storage box at the Paul E. Garber Restoration and Storage Facility in Silver Hill, Maryland looking for something in the Basil Lee Rowe Collection (NASM Accession XXXX-0019). The large 20 x 24 inch flat box I needed to check was under another big box; when I moved the top box, something inside the flat box slid heavily and went “Clunk!” Fearing some damage might have occurred to the contents, I opened the box to check.

 

The box, labeled Aircraft Recognition Training Materials, NASM Accession XXXX-0158, seemed to be full of a variety of manila envelopes, but on top of everything was this great big colorful circular thing with a World War II vintage P-39 screaming through the clouds — wow!

 

Wheel Chart

World War II Aircraft Identification Wheel Chart (Volvelle), NASM 9A-07661.

 

(It’s a wheel chart, also known as a volvelle, a device with a rich history, still used for pilots’ flight computers like the famous E6B “Whiz Wheel”.)

I’ve seen lots of aircraft recognition training aids in our collections, but they’re usually black and white silhouettes, or sober halftone photographs. This thing was more like a giant cereal box prize or a secret decoder ring! Obviously intended to appeal to a more general audience, I could picture Dad coming home from work one day with this spiffy doodad to share with the kids. Now we can ALL have fun watching the skies for enemy aircraft!

 

Reverse wheel chart

Reverse of Aircraft Identification Wheel Chart, NASM 9A-07662.

 

And on the back, there’s a selection of colorful US Army Air Forces squadron insignias. Melissa passed it around, and we all admired it for a minute or two, and then we got packing once again. Because the moving van is already at the door.

Allan Janus is a museum specialist in the Archives Division of the National Air and Space Museum.

The Last Sikorsky JRS-1 Makes A Move to the Udvar-Hazy Center

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On December 7, 1941, a US Navy squadron consisting of ten Sikorsky JRS-1 amphibious seaplanes was on station in the Hawaiian Islands. Shortly after the Japanese attack that Sunday morning, the planes were launched in an effort to locate enemy submarines and ships near Oahu. Initially not armed, the first missions included riflemen positioned on board near open windows and doors to shoot potential adversaries in case any were discovered. Later, these ten JRS-1 craft were armed with depth charges, one under each wing that could more effectively attack Japanese submarines.

The Sikorsky JRS-1 fuselage arrives at the Udvar-Hazy Center. Smithsonian photo by Mark Avino.

On Tuesday, March 8 at 10:15am, the world’s only surviving JRS-1 (designated S-43 in the civilian world) arrived at the Mary Baker Engen Restoration Hangar at the Museum’s Steven F. Udvar-Hazy Center near Dulles International Airport. After 50 years in preservation storage at the Paul E. Garber Facility in Suitland, Maryland, this World War II veteran amphibious sea plane finally emerged into the bright Virginia sunshine—and it looks fantastic.

The Sikorsky JRS-1 is backed into the Mary Baker Engen Restoration Hangar. Smithsonian photo by Dane Penland.


Doug Erickson talks to Matt Jolley from Warbird Radio while Public Affairs Specialist, Frank McNally, looks on.

Doug Erickson, of the Museum’s Collections Division, expertly piloted the “Big Blue” truck and flatbed that carried the fifty-one foot long fuselage from Suitland, around the Washington DC beltway, then via Route 66 to the Udvar-Hazy Center. Aside from a bit of a tight squeeze on the entry ramp to 66 and bunches of “gawkers,” the transport went precisely as planned. For Doug, the significance of the object really hits home AFTER the job of safely loading, moving, and unloading is complete. “It goes from being work, to being really cool!”

Collections staff prepare to offload the Sikorsky JRS-1 inside the Mary Baker Engen Restoration Hangar. Smithsonian photo by Dane Penland.


Museum Technician, Pat Robinson, grabs a strap to help steady the aircraft as it is lifted off of the flatbed trailer.

Museum Technician, Pat Robinson, has been assisting with the disassembly and move preparation for the JRS. Others on the team include, Anthony Wallace, Move Project Manager; Tony Carp, JRS Disassembly Lead; Douglas Erickson, JRS fuselage move driver/coordinator; and Scott Wood. Pat mentioned that while the task has been challenging, the sight of the aircraft in the open air for the first time in decades was a highlight of the day. During the process, the team has uncovered much of the original paint scheme and original colors that will one day guide the restoration of the aircraft. The vibrant green used on the vertical tail and the cherry red on the engine cowlings verify that this JRS-1 belonged to the unit commander.

As curator of the JRS-1, the opportunity to get such a significant artifact into the public view has been a major goal. It seems fitting that this historic American aviation artifact will be on public view at some point during this year of the Centennial of Naval aviation, as well as the seventieth anniversary of the Japanese attack at Pearl Harbor.

In what may be the last “flight of the JRS-1” the team steadies the fuselage in preparation for rotating it 180 degrees for display. Smithsonian photo by Dane Penland.

The team poses in front of the Sikorsky JRS-1, resting comfortably in position for display inside the Mary Baker Engen Restoration Hangar.

This aircraft is one of the most historically significant in the national collection and represents a long, proud heritage of aviation in the U.S. Navy. Moving the JRS-1 to the Mary Baker Engen Restoration Hangar will allow the National Air and Space Museum to utilize the most modern facilities available to improve the long-term preservation of treasures like the JRS-1.

Dik Daso is curator of Modern Military Aircraft in National Air and Space Museum’s Aeronautics Division.