A Christmastime Price War—Over a Toy Ray Gun

Along the McDonnell Space Hangar’s south wall in the Steven F. Udvar-Hazy Center, a case of colorful toys beckons to visitors. Older patrons pause in nostalgia to identify the toys of their youth. Children plop on the floor by the Star Wars: The Empire Strikes Back action figures, studying early-1980s versions of characters they know through the Clone Wars animated series and video games. But ray guns dominate the display.  Hung in a circle facing inward toward the curator’s fabulously-illuminating main label about the parallels between many space stories and American Westerns (make sure you read it the next time you’re there!), the ray guns show an array of different shapes, colors, finishes, and materials.

 

ray guns

Four toy ray guns from the Museum's space popular culture collection illustrate how varied the colors, shapes, and designs of imagined space toys can be. From top left, clockwise, Laser Gun Toy, Taiwan, c. 1970s–1980s; “Space Super Jet” Toy Gun, Japan, c. 1960s–1970s; XZ-44 Liquid Helium Toy Water Pistol, USA, 1936; and Flash Gordon Arresting Ray Pistol Toy, USA, 1952.

But most people fail to notice that the progenitor for all ray gun toys is sitting on the top shelf on the left: quiet, matte, black—and incredibly important.  Given to the Museum by Michael O’Harro in the 1990s, this innocuous wood, metal, and plastic form was the model for the very first metal Buck Rogers gun: the XZ-31 Rocket Pistol, produced in 1934 by the Daisy Manufacturing Company of Plymouth, Michigan. That toy, which was wildly successful, even sparked a Christmastime price war between two of the biggest department stores in the country at the time.

 

Buck Rogers Ray Guns

The progenitor of all ray gun toys that followed, the Buck Rogers XZ-31 Rocket Pistol by Daisy Manufacturing caused a Christmastime sensation in 1934. From top left, clockwise, the prototype for the XZ-31, the XZ-31 itself, and the XZ-35 "Wilma Deering" Rocket Pistol of 1935.

Buck Rogers first appeared in the pulp magazine Amazing Stories in August 1928 as the character Anthony Rogers in Philip Francis Nowlan’s story “Armageddon 2419 A.D.”  Knocked unconscious, the blond hero awakened in the 25th century to find America under attack from “Mongol” hordes, a reflection of the “yellow peril,” contemporary anxiety about Asians in the United States.  National Newspaper Service president John F. Dille saw a potential comic strip—with one small change.  Renamed “Buck” to tap into Westerns’ popularity, “Buck Rogers” (illustrated by Dick Calkins) debuted in 1929, followed by a color Sunday strip in 1930 and a radio program in 1932.  (Created to compete with—and cash in on—that success, Flash Gordon began fighting another Asian enemy, Ming the Merciless, in comic strips in 1934.)

Paper or cardboard Buck Rogers guns quickly become available as mail-away premiums, play kits, or give-aways. But as the comic strip and radio program gained popularity, Daisy Manufacturing Company wanted to make a three-dimensional toy: a metal ray gun. But the guns drawn in the comics were too intricate to produce.  Instead, Daisy executives asked Buck Rogers illustrator Dick Calkins to redesign the guns shown in the comic to make them easier to replicate as three-dimensional toys. The matte black model shows a prototype, a variation upon which was eventually produced.

The resulting XZ-31 Rocket Pistol launched with a dedicated display at Detroit’s J.L. Hudson department store, the props from which were then reused at the American Toy Fair to sell the toy to other shops.  Macy’s flagship department store in New York City bought in, negotiating a one-week exclusive marketing agreement. On the first day the XZ-31 sold in New York City, 2,000 eager buyers lined up! By Christmas, a holster and helmet were also available for consumers who wanted to act out Buck’s adventures.

 

holster

The XZ-35 leather holster could hold the smaller version of the Buck Rogers rocket pistol, known as the "Wilma Deering" pistol, made by the Daisy Manufacturing Company of Plymouth, Michigan in 1935.

But once Macy’s exclusive agreement ended, the wild popularity of the metal 50¢ toy gun sparked a Christmastime price war between Macy’s and Gimbel’s department stores. At one point, the price at Gimbel’s reportedly reached as low as two-for-19¢, below the manufacturing cost!

A year later, in 1935, inspired by the XZ-31’s success, Daisy created a smaller version named for the series’ female lead character, Wilma Deering.  The XZ-35 Buck Rogers Rocket Pistol Toy was identical in every way to the original metal Buck Rogers gun—except for its reduced size.

The National Air and Space Museum holds toys and games in the collection because they reflect how people have imagined spaceflight—and how children have been introduced to spaceflight through play, both realistic and fantastical. No matter how you celebrate this holiday season, consider making a visit to the Udvar-Hazy Center to see these fanciful reminders of how children of all ages have imagined their own futures in space.

Margaret A. Weitekamp is a curator in the Space History Division of the National Air and Space Museum.

 

Above Water

When the floods in Thailand appeared in the news recently, my friends and colleagues recommended that I stay away.  But how could I?  It was only a 4.5 hour flight from China (where I would be attending the Lishui International Photography Festival November 5 – 9) and photographing the Bangkok (BKK) air traffic control tower at the Suvarnabhumi International Airport was a high priority on my “to do” list.  Actually, the highest.  It is the tallest freestanding air traffic control tower in the world at 132.2 meters (434 feet) and a major tower to include in my upcoming book and Smithsonian exhibition The Art of the Airport Tower.

 

BKK

BKK Air Traffic Control Tower at Suvarnabhumi International Airport, Bangkok, Thailand Nov. 2011.

Getting to the various locations to photograph airport towers is only part of the job. First I must obtain official access to photograph each tower.  For towers in the United States, I have a process in place with the FAA for approval.  International access is another story. However, so far, so good with towers now completed in Finland, Sweden, Norway, Spain, Switzerland, and Italy.

But after several weeks of unanswered e-mails  to different airport authorities at the Suvarnabhumi International Airport, I became worried and turned to a personal contact in Bangkok, my childhood pen pal.  As pen pals, Choedkrid  “Jon” and I had exchanged letters throughout high school, and we met once during his visit to the United States in 1989.  We had reconnected earlier this year on Facebook and I found that he works for Thai Airways, quite coincidentally.

So, “Jon” made the calls for me and forwarded my requests to the proper authorities, which resulted in an official letter of permission – my golden ticket.  The BKK tower is a gigantic beauty, the weather was great for shooting, and I had a perfect photography session.

Photographing airport towers all over the world is an ambitious undertaking. Working in partnership with the Museum’s Development Office, we have created sponsorship opportunities that would open up the possibility of traveling to and highlighting as many of these historic landmarks as possible.

 

 

BKK

BKK Air Traffic Control Tower reflections on AeroThai building at Suvarnabhumi International Airport. Bangkok, Thailand Nov. 2011.

And about those floods —  Jon provided me with a close-up view from a military-style truck that drove through the flooded streets.  My feet stayed dry as I photographed the flood damage below.  I watched people navigate their way in trucks and boats on the newly formed waterways. Some on foot were partly submerged.  The citizens of Bangkok helped each other and readily adapted to new transportation and relocation adjustments in order to continue with their daily business routines.  I brought back from this recent trip not only new photographs for the Art of the Airport Tower, but a reconnection to an old friend and the utmost respect for a culture that stood tall in the face of a national crisis.

 

Floods

Downtown flood water in Bangkok, Thailand Nov. 2011

 

Bangkok

Downtown flood water in Bangkok, Thailand Nov. 2011 Credit: Carolyn Russo

Carolyn Russo is a museum specialist/photographer in the Aeronautics Division of the National Air and Space Museum.

 

The STS-135 crew comes for a visit

The National Air and Space Museum was once again honored to host a space shuttle crew this past Friday. This visit was special because it was the STS-135 crew of the shuttle Atlantis, the historic final mission that returned on July 21. The crew was only four astronauts for this last flight, smaller than the normal seven.  Commander Christopher Ferguson explained that it was originally a contingency mission but in the end NASA decided that it was needed to deliver supplies to the International Space Station (ISS).

STS-135 crew

STS-135 crew takes questions from an audience in the Moving Beyond Earth gallery of the National Air and Space Museum. Left to right, Rex Walheim (mission specialist), Sandy Magnus (mission specialist), Doug Hurley (pilot), and Chris Ferguson (mission commander).

A surprising number of people in the audience had attended the launch and the energy in the room was palpable.  The audience included students visiting from Peru and a class from Bristol, England via videoconference.  Against a backdrop of a space shuttle model under a stunning projection of the limb of the Earth, the crew told about their trip and acknowledged its emotional impact. All were veterans of other missions and knew this may be their last trip to space.  Commander Ferguson admitted he found it difficult to leave to return to Earth and that the last night in space they all took time to reflect on their experiences as astronauts. They shared a group photo taken in space with a small U.S. flag that had been aboard STS-1, the first shuttle mission 30 years ago. They explained that they left the flag on the ISS in hopes that a future crew will return it to Earth and then take it again into space. [See video of the full presentation.]

crew

Space Shuttle "Atlantis" STS-135 crew. From left to right, Doug Hurley (pilot), Sandy Magnus (mission specialist), Rex Walheim (mission specialist) and Chris Ferguson (mission commander).

Astronaut crews are great at answering the many questions that they receive from curious Museum visitors. This time the questions included:  What’s next for NASA? What’s a typical day like for an astronaut? Is the US going to the Moon again? Why go back to a capsule design? What is the food like in space? What does it feel like to return to Earth after being in space for several months? (Mission specialist Sandra Magnus answered that one because she lived on the ISS for four months). My favorite question was “does the shuttle get hot inside during re-entry?”  Pilot Douglas Hurley said astronauts don’t feel the inside cabin get warmer. They maneuver the shuttle to keep it cool before the descent to Earth and he said it feels like winter in the cabin. Most fascinating was his description of the pink and orange plasma that lit up the darkness around the shuttle on re-entry.  Because the landing happened at night, the light show was spectacular.

As they ended their presentation they showed the final photograph taken of a shuttle in space.  Of thousands of spectacular photos taken of shuttles in space over 30 years, perhaps this one is most poignant. It represents the end of an era.

Shuttle

"Atlantis" is pictured here in the last photograph ever taken of a space shuttle in space. Copyright: Aerospace Corporation, 2011.

Fortunately,  there is another chapter to the shuttle story. The shuttle fleet will be preserved and on display in museums around the country. The National Air and Space Museum looks forward to receiving Discovery next year.  If the shuttles could talk they would have many stories to tell.  It is left for historians to tell those stories and next year the Museum will complete installation of Moving Beyond Earth, a new exhibition devoted to the story of human spaceflight in the shuttle era and beyond.

And, of course, the Museum looks forward to hosting the next astronaut crew, whenever that will be.

Do you have memories of meeting shuttle astronauts?  Share your story.

Tim Grove is Chief of Education for the Museum in Washington, DC.

Remembering Steve Jobs

Like so many of us, I too was saddened to hear of the death of Steve Jobs last week. I never owned an Apple II, but I recalled very well those early days of personal computing, when one had to choose among a variety of machines with different operating systems, hardware configurations, and processors. My first computer used the same processor as the Apple II (A Motorola 6502, if you care about these things), but it had a different operating system. Unfortunately, my memory is not as clear about the time, years later, when Steve Jobs visited the National Air and Space Museum.

 

NeXT

NeXT Workstation. Source: picture taken by Alexander Schaelss, 15 April 2004. License: GNU FDL; Creative Commons Attribution-Share Alike

I believe it was around 1988, when the Beyond the Limits gallery was being installed. At that time Jobs had left Apple and was the head of a company called “NeXT,” which was selling a workstation, whose capabilities went beyond those of SUN or Silicon Graphics machines, not to mention ordinary personal computers.  In any event, Jobs had enough faith in what we were doing to make a donation to the Museum to support the Beyond the Limits Gallery. He also gave us a NeXT workstation, which we promised him we would use to develop a flight simulator for the gallery. But after some efforts, we eventually gave up. I regret we were not able to make his NeXT donation work. The NeXT computer was tricky to work with, but it did have its fans. One researcher at the European Center for Nuclear Research (CERN) in Switzerland got one, and while we were struggling to program ours, he used his to write a program for the Internet that he called the World Wide Web. Maybe you’ve heard of it.

Business Card

Steve Job's business card.

We searched in vain for photos of that evening when Jobs was here, but I did manage to find his business card in my card file. So long Steve, and thanks for having faith in the National Air and Space Museum. We will miss you.

Paul Ceruzzi is the Chair of the Space History Division at the National Air and Space Museum.

 

 

Good-bye “Beyond the Limits,” Hello “Time and Navigation”

We have been reminded that the retirement of the space shuttle is not only the end of an era, it is also the beginning of a new phase of human space exploration, with new launch vehicles, destinations, and technology. I don’t wish to make too much of the comparison, but there is a parallel in the Museum, with the closing of one of its most popular galleries in preparation for a new major exhibition, Time and Navigation, now under construction.

In May, Beyond the Limits: Flight Enters the Computer Age closed after a successful 22-year run on the second floor of the Museum. I was a member of the exhibition team, and I still have vivid memories of how we planned and carried out that exhibit.  Its premise was that a revolution in computers and microelectronics was transforming aerospace as much as the introduction of the jet engine after World War II transformed aviation. But as everyone knows, advances in computing have been as dramatic since 1989 as they had been in the previous decades, so it is not surprising that this gallery was beginning to look out of date. Before it closed, I took one last look to see whether our initial assumption was correct, and how well the exhibit had held up.

 

Wind Tunnel Exhibit

The analysis of the flow of air over a wing was traditionally done with wind tunnels. It is now primarily done with very fast computers, called supercomputers, which create a mathematical model of the air molecules. Supercomputers also model the flow of gases inside a jet or rocket engine, as shown in these photographs. The technique is called "computational fluid dynamics" (CFD).

Beyond the Limits was designed to look at several areas of aerospace that had been affected by computer technology, with a look at how things had been done, and how the computer was changing those practices. The first was aircraft and spacecraft design, which looked at the emerging technique of Computer-Aided-Design and Computer-Assisted-Manufacturing  (CAD/CAM). At the time of the gallery’s opening, CAD was just beginning to replace drafting boards, blueprints, and hand drawings. Since then CAD has completely prevailed: blueprints are now as rare as manual typewriters. The Boeing 777, introduced a few years after the gallery’s opening, was touted as a “paperless” airplane — designed entirely on computers — and its commercial success helped win over any skeptics.  Likewise, numerically-controlled machine tools were still somewhat controversial in the 1980s, especially concerning its impact on skilled labor, but it, too, has prevailed.  The next section, on the use of supercomputers to replace wind tunnels for aerodynamics research, has also been vindicated. Wind tunnels are still in use, but to a much lesser extent, and many of the largest tunnels in the United States have closed or are dormant.  That was a bold prediction in 1989, but it has come true.

 

X-29

The unusual design of the Grumman X-29 fighter, with its forward-swept wings and forward stabilizer, makes the airplane exceedingly unstable but tremendously agile. To maintain stability, the pilot must rely on three onboard computers, which assess and adjust the airplane's control surfaces 40 times a second. Two X-29s were built; this one is a full-scale model.

A section on “fly-by-wire”: the use of on-board computers to control aircraft that otherwise would be unflyable by a human pilot, was illustrated by a full-scale model of the X-29 research aircraft. The concept originated with the Apollo landings on the Moon two decades earlier, where the Lunar Module had to have computer control to allow it to land safely. Fly-by-wire is also now common in most new military and commercial aircraft. The X-29’s unusual forward-swept wing configuration, however, seems to have been a dead-end, save for a few recent unmanned-aerial-vehicles.

And that leads to what we missed when we did that gallery. The first was stealth. The X-29 was a wonderful aircraft, but it was hardly a stealthy configuration. We failed to see how the use of fly-by-wire, coupled with computer simulations of different designs, could lead to aircraft that were inherently unstable but also had fewer control surfaces that would reflect radar. Stealth technology was well underway by the 1980s, but it was still a well-kept secret. By the time we learned of it, the gallery was already under construction.

The second was the Global Positioning System (GPS). Early in the planning stages for Beyond the Limits, I was given a video cassette by an aerospace employee, who asked if I might consider showing it. The tape was called “NAVSTAR Crosses the Atlantic,” and it was about a small jet that flew from the United States to Europe with only satellites to assist with its navigation. At that time, the system was still called by its earlier name “NAVSTAR,” and only a few of the planned 24 satellites were in orbit—just enough to make a transatlantic flight possible. I turned the offer down. I simply did not see what was so significant about satellite positioning.

In the spring of 2013, Museum will open a gallery devoted to Time and Navigation, with a major portion devoted to the origins, operation, and effects of GPS.  The other areas of aerospace continue to be affected by the relentless progress in computers and microelectronics, but the rise of satellite navigation, especially when coupled with cell phones and other so-called “smart” devices on the ground, have been startling — and unforeseen, at least by some of us two decades ago. As one of the members of the Time and Navigation team said, fixing a position with a sextant, or using radio devices like LORAN, can tell you where you are with good accuracy, but they cannot tell you where the nearest sushi restaurant is, or whether any of your friends are hanging out there. Beyond the Limits has closed, but the Museum has not abandoned its commitment to keep abreast of new developments in aerospace, wherever they may take us.

Paul Ceruzzi is the Chair of the Space History Division at the National Air and Space Museum.