Amelia Earhart and the Profession of Air Navigation

The recent seventy-fifth anniversary of the disappearance of Amelia Earhart and her navigator, Fred Noonan, stirred up considerable media attention – particularly in light of another expedition to the South Pacific in the hopes of solving the mystery. While the fate of Earhart has enthralled the public since 1937, the story of how Earhart figures into the larger history of air navigation and long-distance flying is often overlooked.

Amelia Earhart

Amelia Earhart and her Lockheed 10E Electra.

Viewed as a stand-alone episode, the tale of Earhart’s last flight is confusing. Did she have the right training and equipment? If Fred Noonan was one of the greatest aerial navigators of the time, how did they get lost? The evidence for these questions is often vague and contradictory. One way to come to terms with the moment is to look at the larger historical context of air navigation at that time. This musing is not meant to provide definitive clues to the disappearance, but rather to provide some further topics of discussion that might be useful for future scholarship. How did Earhart’s planning fit with other flights over the South Pacific? How did their navigational training compare with that of other aviators? And, what was the professional standard of air navigation at the time?

In less than two months, the National Air and Space Museum will unveil a new permanent gallery – Time and Navigation: The Untold Story of Getting From Here to There – that will in part chronicle the development of air navigation as a profession. Today, the navigator as a crew member has largely disappeared from most commercial and military long-distance operations, replaced by microprocessors in the form of GPS and inertial navigation systems, but from the 1930s to the 1980s, the navigator was an essential crewmember on many long-distance commercial and military flights. Understanding how Earhart fits into the story of this profession provides some useful insights into the evolution of long range flight on the eve of World War II.

While Europe and the United States were developing networks of radio beacons and direction finding stations over their own territory, transoceanic navigation was only reliable with proficiency in celestial and dead reckoning navigation. Though these techniques were tried and true in maritime navigation, adapting them to the aerial environment was a new challenge. The cramped confines of aircraft, high speeds, variable weather, and turbulence greatly complicated the process of fixing position.

Charles Lindbergh’s reliance on nothing more than an earth inductor compass and a simple clock for finding his way during his 1927 solo transatlantic flight was emblematic of the often dangerous or ineffective state of air navigation. Though it worked well for Lindbergh who was the beneficiary of ideal wind conditions at the time of his flight, almost half of his peers attempting long distance flights that year either lost their lives or had their flights end in near disaster. However, the decade between Lindbergh’s Paris flight and the disappearance of Amelia Earhart witnessed a transformation of aerial navigation technology and practice. A small community of innovators worked to find better tools and techniques. One of these was a Navy Lt. Commander named Phillip Van Horn Weems. He developed simplified methods of celestial navigation that, when combined with improved sextants, provided a reliable means of determining position (either a fix or a “line of position) when the sun or stars could be seen.

By 1928, Weems had gone into business teaching air navigation. His initial students and clients included Charles Lindbergh, eager to find a better way than simply relying on luck to cross oceans (see the author’s article in Air & Space Magazine on this topic), polar explorer Lincoln Ellsworth, and Harold Gatty, the soon-to-be-famous navigator of Wiley Post’s Winnie Mae on its around-the-world record stating flight of 1931.

Despite the efforts of Weems and Gatty (who managed the Weems System of Navigation for a period), by 1937, the navigator as a dedicated non-pilot aircrew member was still a largely untested idea. While both the Army Air Corps and (to a lesser extent) Navy, were teaching air navigation with the tools and techniques advanced by Weems, Gatty and Albert Hegenberger (the Air Corps’ navigation authority), navigation was still seen as the responsibility of the aircraft commander or pilot. Rather, it was Pan American Airways and record-setters like Wiley Post that were defining the role of a dedicated non-pilot air navigator. Fred Noonan was on the cusp of this transition and his competence earned him a place as Pan Am’s lead navigator for the trans-pacific trials of a new class of “Flying Clipper.”

Earhart, like most distance fliers of the time, elected to concentrate on piloting and intended to leave the technical aspects of her flight to two navigators – Noonan and Harry Manning. Manning lacked the aerial expertise Noonan had acquired from Tornich and Weems, but was a celebrated maritime navigator and had the radio skills that both Earhart and Noonan lacked. Originally, Earhart intended on having Noonan along only for the dangerous Hawaii – Howland Island leg on her original westbound route. She also intended on dropping Manning after completing the remainder of the Pacific hop. Unfortunately, Earhart became dissatisfied with Manning before her final around-the-world attempt so that Noonan became the sole navigator and the expedition was left without an experienced radio operator when she set off on her second around the world attempt in June 1937.

Earhart’s first around-the-world attempt ended in near disaster on March 21, 1937, when she substantially damaged her Lockheed Electra 10E after losing control during takeoff from Hawaii’s Luke Field bound for Howland Island. While the plane was being repaired, Weems wrote the letter below to Earhart encouraging her to undergo navigation training in the manner of Britain’s top female aviator, Amy Johnson. He also called out what has been widely regarded as one of Earhart’ and Noonan’s greatest failings in anticipation of the flight – their lack of proficiency in the use of Morse code, which was essential for gaining long range bearings from the Coast Guard cutter specially stationed at Howland Island for this purpose. However, even though critical for navigation, Weems’ suggestion is somewhat remarkable as radiotelegraphy was considered an unusual specialization for an aviator, or even a navigator, at the time. Well into the World War II era, navigators and radio operators were considered two entirely different occupational tracks. In the military, the radio operator was considered a less technically demanding skillset and was usually assigned to enlisted personnel, while navigators were usually officers (often washed-out pilots).

Weems Letter to Earhart

Weems wrote this letter to Earhart after her near-disastrous takeoff attempt in Hawaii in 1937. Extra navigation training may not have kept Earhart from disaster, but it might have allowed to her appreciate shortcomings in planning an equipment.

Putnam's response to Weems

George Putnam’s response to Commander Weems

After Weems’ initial offer to Earhart, her publishing magnate husband, G. P. Putnam, responded the next day to Weems’ offer, kindly rejecting it. This brief and forgotten exchange of letters sheds further light on the frequent criticism of Earhart from both her contemporary peers and from historians of her tendency to be dismissive of training in the more technical aspects of aviation. Weems’ invocation of Amy Johnson’s navigational skill demonstrates that there was indeed a cadre of very competent female aviators skilled in navigation in a way that Earhart was not. In addition to Johnson and Anne Morrow Lindbergh, several other prominent female aviators of the time learned under the Weems System of Navigation. Among these were the Romanian Baroness Lisette Kapri, Dorothy “Dot” Lemon, and Mary Tornich, who was one of the Weems System of Navigation principal instructors in the late 1930s, and who appears to have undertaken much of Noonan’s air navigation instruction. From this perspective, Earhart may be seen as inadequately trained. However, there was certainly no clear consensus on what standard of navigational skill was required for distance fliers at the time. For instance, Wiley Post, at the height of his fame in 1933 (earned for his solo around-the-world flight in the Winnie Mae), was no more a navigator than Earhart. He employed Gatty in 1931 in the same manner as Earhart did with Noonan. In 1933, Post, like Earhart in 1937, put blind faith into new technology – a new Air Corps radio compass and a Sperry autopilot. The gamble paid off for Post, but not Earhart. The most obvious distinction between the two is that Post seemed to have a greater interest, familiarity and comfort with the technology.

Amy Johnson and PVH Weems

Amy Johnson with PVH Weems. Weems is showing her a drift meter.

Whether or not Weems’ instruction would have helped Earhart cannot be known. Perhaps it may have made her realize that her “flying laboratory” was that in name only. The Lockheed was not well fitted for navigation. It lacked a rooftop hatch or viewing port for unobstructed celestial observations and none of their navigational equipment, save for a Bendix direction finding radio, could be considered state-of-the-art. Unfortunately, Earhart struggled with the Bendix radio during the flight. Its newness, mechanical unreliability and Earhart’s inexperience with the equipment likely reduced its utility. However, the most vivid illustration of how poorly equipped the Electra was can be seen in the following year with Howard Hughes’ around-the-world flight in a Lockheed 14 that was similar to Earhart’s 10E, but which was truly a flying laboratory that accommodated two navigators and a host of new navigational equipment. This included a new averaging sextant, a new drift sight, new dead reckoning computers, a special observation portal, and a remarkable (and secret) line of position computer made by Fairchild-Maxson (see photo). If the loss of Earhart and Noonan had any impact on the navigational community, it may well be the thoroughness with which Hughes pursued the Army Air Corps supported flight (including filling the voids in the aircraft structure with 35,000 ping pong balls to stay afloat in the event of a ditching). The Hughes flight did much to pave the way for the approach to navigation used so effectively by bombers and other long-range aircraft over the ocean expanses during World War II, most notably by encouraging the mounting of Plexiglas astrodomes.

Fairchild-Maxson Line-Of-Position Computer

The Fairchild-Maxson line-of-position computer was an amazingly engineered mechanical computer in which the data sets of different celestial tables were coded onto gears and cams in cassettes that plugged into the main unit. By inputting the elevation of a celestial body and the time, the device would compute a line of position eliminating a number of mathematical calculations. Unfortunately the unit was very expensive and took up valuable space. Nonetheless, it was very useful for Howard Hughes’ 1938 around-the-world flight.

Astrodome

The astrodome was a major innovation for celestial navigators. While earlier aircraft had observation hatches or even cupolas, the aerodynamic astrodome was well suited to the increasing speeds of aircraft and offered great visibility. Air Corps navigation engineer Thomas Thurlow began pushing for their development after his 1938 around-the-world flight with Howard Hughes. They did not last much past World War II as they were a weak point for pressurized aircraft and added significant drag as aircraft began moving closer to supersonic speeds.

By the time of Earhart’s disappearance, the necessity of training in celestial navigation touted by Weems, Gatty, and Hegenberger over the previous decade had finally been heeded by many with Lindbergh being the most prominent acolyte. Lindbergh was so convinced that in 1930 he had his wife, Anne Morrow, learn celestial navigation from Gatty in her third trimester of pregnancy and then demonstrate it on a transcontinental flight. Earhart’s desire to distinguish herself led her to select a Southern route that most of her predecessors, had carefully avoided. By doing so, she also sidestepped the poor weather often found from Siberia to Alaska and perhaps alleviated her known discomfort with instrument flying. If celestial navigation was not necessarily an expected trait for distance flyers of the time, skill in “blind flying” had become mandatory.

Effective navigation across the South Pacific was indeed possible in 1937, but only one person had demonstrated it could be done safely – Charles Kingsford Smith. Overshadowed by Lindbergh in the United States, Kingsford Smith’s achievements are arguably more spectacular. In 1928, he made the first Pacific crossing from the United States to Australia in the Fokker F.VII Southern Cross with three additional crewmembers. In 1935, he repeated the achievement flying eastbound in the Lockheed Altair Lady Southern Cross with P.G. Taylor as navigator. What stands in stark contrast between “Smithy’s” flights and Earhart’s attempt is that Kingsford Smith chose an aircraft with adequate range. This allowed him on both flights to make the “jump” between Fiji and Hawaii – very large targets. For reasons that can only be speculative, Earhart selected the fast and flashy Lockheed 10E. It was an extremely attractive aircraft at that time for distance flying – except for crossing the South Pacific, for which it did not have the range. The issues of range and geopolitical considerations forced Earhart into the selection of the remote, isolated, and tiny Howland Island. Perhaps most importantly, the 10E’s twin engines gave Earhart a false sense of security. In many situations, the ability to sustain flight on one engine was highly desirable as it could prevent forced landings in unforgiving terrain. Unfortunately, over the open South Pacific, it was a major liability as it doubled the chances of engine failure, and the degraded single engine performance provided virtually no hope of reaching land in the event of a problem on the legs to and from Howland Island. Earhart would have likely been far better off with Smithy’s obsolescent single-engine Altair than the flashier 10E. However, high-profile accidents such as the fatal one in 1935 that killed Wiley Post and famed humorist Will Rogers had convinced many distance fliers that twin engine aircraft were preferable, unfortunately without much analysis of their risks.

The Time and Navigation exhibition is not intended to give a lengthy exploration of the challenges faced by Earhart or speculate as to her fate, but we do represent the issues surrounding her disappearance as a cautionary moment which warned other distance fliers that lack of preparedness could be deadly. The exhibit features several of these key “Navigation Gone Wrong” episodes that prompted navigators of the time to pause briefly and reconsider the state of their profession. My own conclusion is that is that the accident chain started with the selection of a South Pacific route and the choice of the Lockheed 10E with inadequate range that then locked in the poor choice of Howland Island as the expedition’s most critical way-station. The great shortfall in the Earhart’s and Noonan’s approach was the inability to see the magnitude of the risk they were taking in selecting Howland and gambling on the reliability of largely untested radio equipment. We may never solve the question of the final whereabouts of Earhart and Noonan, but we can understand the world in which they operated by examining the circumstances of their disappearance.

Roger Connor is a museum specialist in the Aeronautics Division of the National Air and Space Museum and co-curator of the upcoming Time and Navigation exhibition.

If you would like to learn more, view an archive of our online conference, “Thinking Critically About Amelia Earhart’s Disappearance.

Plans for the Little Known Confederate Helicopter

As my colleague Dr. Tom Crouch referenced in a previous post, our nation is currently in the midst of commemorating the 150th Anniversary of the American Civil War (or sesquicentennial for you Latin fans).  While other branches of the Smithsonian, such as the National Museum of American History and National Portrait gallery, have a wide depth of artifacts and images with which they can share stories from the time period, the National Air and Space Museum has far fewer relevant items in its collection.  We do, however, have some of the most surprising Civil War artifacts in the entire Institution.  Not only does the Museum preserve Thaddeus Lowe’s “double telescope,” but the Museum’s Archives Department preserves a set of drawings containing plans for the most marvelous of contraptions – the Confederate helicopter.

The American Civil War brought about great advances in the use of technology in warfare.  Balloons, railroads, ironclad ships, and even a submarine were demonstrated throughout the conflict, and new ideas were constantly being thought up and tried on the battlefield.  Some ideas were more exotic than others, such as the one thought of by William C. Powers.  In 1862, most of the ports of the Southern states were completely blockaded by Union naval forces, choking off much needed supplies and commerce.  William C. Powers was an architectural engineer living in Mobile, Alabama, and personally saw the effects of the Northern blockade.  Powers knew that the southern states did not have enough ships to break the blockade with naval power, and going through the blockade was full of risks.  William Powers saw another way to crush the blockade – attack it from the air. 

Using his engineering skills, Powers began drafting plans for a machine that could lift off and propel itself through the air to attack Union ships.  Although balloons were being effectively used for observation, they lacked directional control and could not lift enough weight to make an effective bomber.  Powers drew upon the work of other famous engineers, such as Archimedes and da Vinci, and employed Archimedean screws for lift and thrust, all powered by a steam engine.  The engine was located in the middle of the craft, and used two smokestacks, which can be seen in the drawings.  Two Archimedean screws on the sides gave the helicopter forward thrust, similar to how a propeller works on a ship in water, and two mounted vertically in the helicopter gave it lift.  A rudder was added to the rear of the craft in order to provide steering.  The drawings below show these Archimedean screws represented by the snaking line that runs across the page.

 

Archimedean screws

Side View drawing showing the longitudinal and vertical Archimedean screws and central location of smoke stacks. Source: Smithsonian National Air and Space Museum Archives (NASM-A-34450-E).

 

experimental aircraft drawing

Drawing of the side view of the car and vertical shafting showing details of the steam engine including the boiler, cylinder, and crankshaft. Source: National Air and Space Museum Archives (NASM-A-34450-C).

 

After drafting his plans, Powers set out to make a small model and then a full-size mockup.  Although he had some success creating the small model, as can be seen below, limited resources and lack of support prevented the idea from ever leaving the drawing board.  Family lore also says that fear prevented the idea from getting off the ground.  When the drawings were donated to the Museum, family members stated that they were hidden during the war to prevent them from falling into Union hands.  It was said that a full size example was never created for fear that it would be captured by the Union, mass produced, and used to rain destruction on the Confederate armies and cities throughout the South. 

 

Civil War Helicopter

Three quarter view of the experimental model built by William C. Powers. Source: National Air and Space Museum Archives (NASM-A-34342-A).

 

Although the laws of aerodynamics were not on the side of William C. Powers or his helicopter, they do reveal an interesting aspect of the technological advances which came about as a result of the Civil War.  Powers even stumbles upon a building method which would be resurrected later on to manufacture airships and even bombers.In the drawing shown below, it is clear that the “hull” of the Powers aircraft would have been constructed using a lattice approach, similar to that used in the British Vickers Wellington Bomber.  This provides incredible strength without adding lots of weight.Perhaps Mr. Powers was just ahead of his time….

British Vickers Wellington Bomber

Drawing of the sectional view showing the mesh lattice construction, similar to the British Vickers Wellington Bomber. Source: National Air and Space Museum Archives (NASM-A-34449-D).

Tom Paone is a museum specialist in the Aeronautics Department of the National Air and Space Museum.

Fighters, Warbirds, and Racers

The high-flying long-range North American P-51 Mustang escort fighter was a war-winning weapon for the United States and its Allies during World War II. As American Mustang pilots protected bombers and pursued their enemies in the air over Europe and the Pacific, they earned a place for themselves and their airplane in the annals of military and aviation history. Designed by a German-born engineer, it reflected the mating of American and British ingenuity in aerodynamics, structures, and propulsion technology. The availability of surplus Mustangs and other fighters such as the Corsair, Bearcat, Airacobra, and Lightning after World War II and into the 1950s helped create what we call the “warbird” community today.

North American P-51 Mustang

The combination of external fuel tanks that could be dropped when needed and six .50 caliber machine guns allowed wartime P-51 squadrons to take the air war deep inside enemy territory. U. S. Air Force, courtesy National Air and Space Museum (USAF-K2667), Smithsonian Institution.

 

Some owners of these fighters, recognizing that they were the fastest propeller-driven production aircraft to ever fly, took them air racing. They remembered the widely-popular pre-war National Air Races at Cleveland where Horatio Alger-like individuals took readily-available technologies and built dedicated air racers to achieve fame and fortune every September in 1930s Depression-era America. The National Air Races resumed in 1946 after its wartime hiatus with warbirds as the main technology.

At Cleveland in the late 1940s, some pilots just painted their otherwise original, or “stock,” aircraft for competition. The Museum’s Bell P-39Q Airacobra flew at Cleveland twice.  In 1946, Charles Bing raced it as Juba. Former WASP Elizabeth Haas took it to the 1948 National Air Races as Galloping Gertie.

 

Galloping Gertie

Galloping Gertie featured a dazzling red-and-white racing scheme.

Others, echoing the long-standing American tradition of technical ingenuity, modification, and “hot-rodding,” worked to transform their warbirds into dedicated air racers. Racing teams carried out their visions of improving upon an original design to make their aircraft faster and lighter and, ultimately, to win as they flew low and fast around the pylons.

The 1949 National Air Races saw the deaths of two innocent bystanders and a racing pilot after a crash into a nearby neighborhood. The lack of infrastructure to conduct continued events, the distraction of the raging conflict in Korea, and the ever-present debate over safety ensured that air racing would not continue in Cleveland in the 1950s.

For air racing enthusiasts, the spirit of the 1930s and 1940s had no venue until the renewal of air racing through the National Championship Air Races centered on the remote town of Reno, Nevada, in 1964. One of the racing classes, the Unlimited, was just that, racers could use any competitive aerodynamic, structural, or propulsion advantage to make their propeller-driven warbirds go even faster. Quickly, the Unlimited Class race became the marquee event of the air races at Reno due to the high speeds and the popularity of World War II-fighters overall, no matter how far different they were from their original configurations.

The National Air and Space Museum has a first generation Unlimited Class racer in its collection, Conquest I, which is based on the Grumman F8F Bearcat platform. The team behind it worked at the super high-tech Lockheed Skunk Works and used their advanced knowledge to create a multiple Unlimited Class winner (1965-1969 and 1971) and world speed record holder in 1969. Conquest I’s design set the tone of innovation where sophisticated original thinking merged with the clever use of found parts and systems from other aircraft.

 

Bearcat

Darryl Greenamyer’s Bearcat racer featured a canopy fashioned from a Lockheed P2V Neptune patrol bomber searchlight lens, a propeller taken from a Douglas A-1 Skyraider ground attack airplane, and a propeller spinner from a P-51H Mustang fighter.

Mustangs flown by Unlimited racing teams underwent a similar transformation as Conquest I. Aerodynamic streamlining, structural modification, and increased horsepower turned an aircraft designed to be a high-altitude, long-range fighter capable of cruising at 352 mph into a racer intended to fly fast and low at speeds approaching 500 mph over the high desert of Nevada.

 

mustang racer

Mustang racers have won the most Unlimited championships at Reno (26 as of 2012). Photo by Jeremy R. Kinney

 

Historic in their own right as racers, these Mustangs have added to the long history of a classic aircraft design. The evolution of the Mustang from a military fighter during World War II to a means of recreation and a vehicle for speed tells us much about the enthusiasm for flight.

Jeremy Kinney curates the air racing collection at the Smithsonian National Air and Space Museum.

Tuskegee Red Lands at Air and Space!

During World War II, a group of young, enthusiastic and skilled African American men pressed the limits of flight and the boundaries of racial inequality by becoming Army Air Forces pilots. Most of these pilots trained at Moton Field in Tuskegee, Alabama. One of the most popular and beautiful plants of that region is a fiery red Crape Myrtle. Like the Tuskegee Airmen, whose characteristic red-tailed aircraft became their trademark, this Crape Myrtle was named for the city of Tuskegee. In an ongoing effort by Smithsonian Gardens to link ornamental horticulture to the many themes and exhibitions that are part of the National Air and Space Museum, this emblematic tree now adorns the grounds of the world’s most visited air museum.

Native to Asia, Crape Myrtles are known for their delicate yet robust blooms, thick canopies of glossy green leaves, vibrant fall color, and flaking bark which is a unique and attractive feature during the winter months. Large and heavy flowers explode from June to September making the Crape Myrtle one of the most popular and visible trees on the Smithsonian campus. The northernmost Plant Hardiness boundary for this tree is Zone 7a, extending from Baltimore through southern Illinois. Crape Myrtles are adaptable to many climates and are drought resistant, growing best in well-drained soils and full sun. Most of the Crape Myrtles on display at the Smithsonian, like the ‘Tuskegee,’ are cultivars selected from the United States National Arboretum’s renowned plant breeding program located in Washington, DC.

tree

Smithsonian Gardens staff plant a ‘Tuskegee’ Crape Myrtle tree outside the National Air and Space Museum in Washington, DC.

The ‘Tuskegee’ Crape Myrtle tree (Lagerstroemia x ‘Tuskegee’), planted in May 2012 by Smithsonian Gardens staff at a National Air and Space Museum community horticulture education seminar, is located about 200 feet west of the Museum’s south entrance near the access ramp. It may seem a small gesture, but planting a tree to remember one of the most significant groups of WW II pilots and the social legacy that they represent to our nation is anything but trivial.

Spirt of Tuskegee

The “Spirit of Tuskegee” is on temporary display at the Udvar-Hazy Center until it is moved to the new National Museum of African American History and Culture where it will be placed on permanent display.

Visitors can view artifacts from the Tuskegee Airmen in the Barron Hilton Pioneers of Flight gallery at the National Air and Space Museum and will also have an opportunity to view related exhibits at the National Museum of African American History and Culture when it opens on the National Mall near the Washington Monument in 2015. Included in the planned exhibits will be a PT-13 Stearman called the Spirit of Tuskegee flown in training by the Tuskegee Airmen at Moton Field during World War II. The Tuskegee Stearman is currently on display at the National Air and Space Museum’s Udvar-Hazy Center located in Chantilly, Virginia.

Dik Daso is curator of Modern Military Aircraft in the Aeronautics Division of the National Air and Space Museum

Brett McNish is a Supervisory Horticulturist with Smithsonian Gardens

Look! In the sky! It’s a bird! It’s a plane! It’s…a flying beer keg?

RQ-16A T-Hawk

This T-Hawk was donated to the National Air and Space Museum by the Honeywell International Corporation for use in the Time and Navigation exhibition, scheduled to open in March of 2013.

Well, not exactly, but that is the nickname some have given to the RQ-16 T-Hawk (short for Tarantula Hawk, a wasp that preys on the large spiders).  The T-Hawk micro air vehicle (MAV) is a small unmanned aircraft that has been making a name for itself in both military and civilian circles since it was developed by Honeywell International Corporation starting in 2003.  Weighing only about 20 pounds, the T-hawk relies on a small gasoline-powered engine (like a lawn-mower) and a ducted fan to allow it to take off and land vertically (like a helicopter), fly up to 46 miles per hour for about 50 minutes, and reach heights of 10,000 feet!  All this flying technology is used to carry some very high-tech cameras, including regular daytime cameras, as well as infrared cameras.    But wait, there’s more!  It is also programmable to use pre-set GPS coordinates to fly autonomously through an area without any need for a manual control.  These unique characteristics have allowed the T-Hawk to be used to “hover-and-stare” both on and off the battlefield.

RQ-16A T-Hawk

The RQ-16A T-Hawk propels itself from the ground, beginning a demonstration highlighting some of its abilities at Kandahar Airfield, Afghanistan.

Originally developed at the request of the Defense Advanced Research Projects Agency (DARPA), the T-Hawk found a place amongst ground troops in both Iraq and Afghanistan.  The Army issued some of the highly mobile units, which are small enough to be carried by a soldier in a backpack, to military units in Iraq where they were sent ahead of a convoy or group of soldiers to scout.  With real-time video sent with the T-Hawk’s cameras, field commanders can have a bird’s-eye view of an area before troops arrive to look out for any traps or ambushes along the way.  The US Navy has also made use of the T-Hawk and assigned them to explosive ordnance disposal (EOD) units in both Iraq and Afghanistan.  The T-Hawk can take off quickly and hover over a suspicious-looking area or item to give EOD technicians a close-up view without putting them in harm’s way.  The “hover-and-stare” ability has proven invaluable to spotting road side bombs before US troops arrive in an area.

The T-Hawk, however, is not just useful to those in the military.  Recently, the Miami-Dade Police Department purchased a T-Hawk to assist with situations such as standoffs with armed suspects.  More importantly, the T-Hawk was used to help during the nuclear crisis Japan faced in the wake of the earthquake and tsunami that struck the country on March 11, 2011.  Using the T-Hawk, US Department of Defense personnel at the Fukushima Daiichi nuclear plant were able to get the first detailed video of the exterior of damaged reactor vessels in an environment that was too radioactive for humans.

Fukushima Daiichi

This photo was taken by a T-Hawk over the ruins of the Fukushima Daiichi nuclear power plant shortly after the plant suffered a partial meltdown following an earthquake and tsunami on March 11, 2011. The T-Hawk provided authorities with some of the first detailed images of the plant from areas which were too dangerous for humans.

So why is the T-Hawk so important to the National Air and Space Museum?  Well, besides its awesome capabilities, and its similarity to a flying WALL-E, it will also be seen in an upcoming exhibition at the Museum.  The gallery, called Time and Navigation is set to open in March of 2013, and will showcase the importance of time-keeping to navigation.  The T-Hawk has recently arrived at the Museum as part of the permanent collection and will be on display in a section of the exhibit discussing the importance of GPS to the military.  Stop by and see it then!

Thomas Paone is a museum specialist at the National Air and Space Museum.