One Story, Two Museums: A Century of Alaska Aviation

In early 2010, I received an e-mail out of the blue from Julie Decker, the chief curator of the Anchorage Museum, asking if I would be interested in co-curating an exhibition on flight and Alaska. Her idea was to bring together artifacts and archival materials from different museums into a gallery that told the story of Alaska and aviation during the state’s centennial of aviation in 2013. The idea was great and I jumped at the chance, which quickly developed into one of the best experiences of my career at the National Air and Space Museum. Our three-year collaboration resulted in the exhibition Arctic Flight: A Century of Alaska Aviation, which opened in Anchorage on February 9 and closes August 11, and the accompanying book, Alaska and the Airplane: A Century of Flight.

Arctic Flight

Arctic Flight includes artifacts, archival images, and films from the National Air and Space Museum, Anchorage Museum, Alaska Aviation Museum, the Alaska Heritage Museum, the Carrie M. McClain Memorial Museum, the National Park Service, the Pioneer Museum, and the Pioneer Air Museum. Photo by Don Mohr.

The history of Alaska during the twentieth and twenty-first centuries is intertwined with the airplane. James V. Martin made the first airplane flight in the territory in his Tractor Aeroplane on July 4, 1913. Aerial Alaska emerged in two important ways during the 1920s and 1930s. The pioneers of flight used the territory as a byway as they flew around the world, over the North Pole, and expressed their visions of the airplane as a global technology. Air-minded Alaskans, embracing their own pioneer spirit, took to the air as bush pilots and started the airplane’s ascendance as the main form of transportation. During World War II and the Cold War, world powers fought over the Aleutians, built an aerial bridge to Siberia, and faced each other during decades of nuclear stalemate. The bush pilots created aviation empires that connected the rest of the world to an industrialized frontier that served villages, resource developers, and outsiders seeking adventure. Along the way, both women and Native pilots found opportunity in the air. One thing remained a constant throughout the century of Alaskan flying, the unpredictable weather and rugged terrain remained the great equalizer.

 

Wiley Post

Collaboration with researchers in Alaska revealed the circumstances behind this color tinted photograph held by our Museum and what it said about how dangerous it was to fly in Alaska. During the summer of 1935, Wiley Post and the famous American humorist, Will Rogers, ventured north to the territory. From left to right, Rogers, famous Alaskan musher Leonhard Seppala, Post, and famous bush pilot Joe Crosson stand near Post’s Lockheed monoplane on a floatplane dock on the Chena River near Fairbanks. Against Crosson’s advice, Post and Rogers pushed on from there and died in an airplane crash near Barrow. National Air and Space Museum (NASM A-44131), Smithsonian Institution.

Besides me, the Museum was involved in other ways. Our Archives provided many historical images like the one above. Photographer Eric Long documented the artifacts selected for Arctic Flight, which became the basis for the photo essays in Alaska and the Airplane.

Survival Equipment

Eric’s photograph of survival gear used by bush pilot Sam White during his long and successful flying career from 1928 to 1964 and now in the collection of the Pioneer Museum in Fairbanks is one of my favorites. Photo by Eric Long. National Air and Space Museum (NASM2012-01294), Smithsonian Institution.

The Collections Department assisted with Eric’s photography and prepared the artifacts that traveled on loan to the Anchorage Museum.

Emil Buehler Conservation Laboratory

In the Emil Buehler Conservation Laboratory at the Udvar-Hazy Center, Lauren Horelick, Lisa Young, and Stephanie Spence (left to right) clean a fuel tank from the airship Norge, which made the first crossing of the Arctic Ocean in 1926. Photo by Eric Long. National Air and Space Museum (NASM2013-09437), Smithsonian Institution.

Anthony Wallace

Anthony Wallace from the Collections Processing Unit traveled to Anchorage to assist with the move of the exhibition’s central aircraft artifact, a 1929 Stearman C2B, from the Alaska Aviation Museum to the Anchorage Museum. Ted Gardeline, on lift, and Anthonyare working to lift the C2B fuselage to the third floor gallery. Photo by Don Mohr.

Jeremy Kinney and Julie Decker

Jeremy Kinney and Julie Decker with the Stearman C2B at the opening of Arctic Flight. Photo by Don Mohr.

Co-curating an exhibition and co-authoring a book is a challenging process in itself. You would think trying to do that from over 4,000 miles away, with a few memorable research trips thrown in for good measure, would be nearly impossible, but the collaboration between the National Air and Space Museum and the Anchorage Museum was a grand partnership. We hope that the people of Alaska and anyone enthusiastic for the airplane will find the final product as exciting and worthwhile as we did putting it together.

Jeremy Kinney is a curator in the Aeronautics Department of the Smithsonian National Air and Space Museum.

Mars Rover Discovers Chocolate on Mars

Scientists at the National Air and Space Museum’s Center for Earth and Planetary Studies announced an astounding discovery at a press conference this morning: the NASA Mars rover Curiosity has found chocolate on Mars.*

“Definitely more than just a trace,” said CEPS spokesperson Dr. John Grant. “More than a trace, less than a Snickers. But there could be more.”

“We were completely blindsided by this,” he said. “The Gale Crater area of Mars is about the last place you’d look for chocolate if you were looking for chocolate on Mars, which we weren’t.”

Mars

This color panorama shows a 360-degree view of the landing site of NASA’s Curiosity rover, including the highest part of Mount Sharp visible to the rover. That part of Mount Sharp is approximately 12 miles (20 kilometers) away from the rover.

 

“Here we were, searching for evidence of whether Mars was ever habitable, and we found this. Complete surprise. Curiosity was scraping away some surface materials and unearthed this small, dark, irregularly shaped mass,” Grant said, showing a sharp, close-up photo of the find, which looked vaguely like a Hershey’s bar left out on the beach.

“The initial chemical analysis was perplexing. We were prepared for the possible discovery of organic substances of some sort, but nothing like this. We ran the numbers and scratched our heads, then suddenly realized, ‘Whoa! This is, like, 90 percent cocoa, at least. Maybe more!’ Very pure stuff. Very exciting.”

The discovery begs the obvious question, where did the chocolate come from? Could it be a contaminant introduced by Curiosity itself? Perhaps a smudge left on the rover by a sloppy technician with sticky hands? “No way,” Grant asserted. “the rover is extremely clean and virtually sterile at launch. And because of the nature of the deposition, we don’t think it was a candy bar accidentally dropped by a passing alien or something. It’s a mystery.”

Curiosity

Artist concept of rover Curiosity on Mars.

When asked about the prospect of beds of chocolate on Mars that could perhaps be mined and used to sustain future explorers on the Red Planet, Grant laughed. “That’s just science fiction,” he said. “For now anyway. We don’t even know how much there is, but we’re certainly going to try and find out.”

The discovery clearly has profound implications for science and for humanity. It presents many consequential questions that scientists and others will now begin to grapple with. Of most immediate importance? Grant says: “Is it edible?”

David Romanowski is a writer and editor in the Exhibitions Department of the National Air and Space Museum.

*April Fools!

 

Easter Peeps Welcome Discovery!

Check out this fun Peeps diorama depicting the celebration of Space Shuttle Discovery’s arrival at our Udvar-Hazy Center on April 19, 2012. Museum docent John Bretschneider and education volunteer Katy Bretschneider created the diorama and entered it into the annual Washington Post Peeps Diorama Contest. Fans have currently ranked it #27 among the over 650 entries.

Congrats John and Katy on your wonderful creation, we love it!

“Welcome Discovery and Godspeep Enterprise.” Discovery and Enterprise pose nose to nose outside the Udvar-Hazy Center with the U.S. Marine Corps Marching Band, cheering peeps waving posters and American flags, and astronauts in their orange suits.

Close-up of Peeps celebrating Space Shuttle Discovery’s arrival. Notice the detail inside the James S. McDonnell Space Hangar with the Manned Maneuvering Unit and TDRS satellite hanging above Discovery’s new home.

 

Fly Ball!

On April 1, the 2013 Major League Baseball season begins.  The National Air and Space Museum’s hometown Washington Nationals begin their season at home.  My beloved Baltimore Orioles, however, begin their season on the road against the Tampa Bay Rays in Florida.  Like most teams, they will take a chartered airplane to their destination.

The 1934 Cincinnati Reds were the first baseball team to fly a chartered airplane to an away game.  On June 8, nineteen members of the Reds boarded two American Airlines Ford Tri-Motors for a three-game series against the Chicago Cubs.  Six players opted to travel via train.  General Manager Larry McPhail believed that the quicker air travel would give the players more rest between games.  The Reds won two out of the three games in that series.

The first team to make charter arrangements for a full season was the 1946 New York Yankees. On May 13, the Yankees flew a United Airlines chartered Douglas DC-4, dubbed the Yankees Mainliner, from LaGuardia Airport to St. Louis.  According to the Associated Press, several hundred fans went to the airport to see their team take off.  Joe DiMaggio bumped his head as he entered the plane.

 

Yankees

The 1946 New York Yankees baseball team pose outside their charter airplane the Yankees Mainliner at LaGuardia Field, New York. Photo by Rudy Arnold, NASM 2006-12600

The executive and co-owner of the 1946 Yankees was none other than Larry McPhail.  He had chartered flights for spring training trips to Panama and cities in the southern United States.  Several players, including future Baseball Hall of Famer Charles “Red” Ruffing, opted for the train.  Ruffing claimed to have had enough of flying during his time with the Air Transport Command during World War II.  The Yankees would win three out of four games from the St. Louis Browns.

(And because baseball is full of fun connections…the St. Louis Browns became the Baltimore Orioles in 1954.  The Orioles’ President of Baseball Operations from 2007 to 2011 was Andy McPhail, grandson of Larry, who gave major league baseball the flying bug!)

Whichever team you root for, enjoy opening day!  Play ball!

Elizabeth Borja is a museum specialist in the Archives Department of the National Air and Space Museum.

Removing Items from the Collection at the National Air and Space Museum

Visitors to the National Air and Space Museum don’t often get to see the work that goes on behind the scenes. This is especially true in terms of the labor that goes into collecting and caring for our artifacts. Many may wonder where all the air and space stuff (we call them artifacts) comes from. The answer is from a variety of places, including the United States Air Force, NASA, and the general public. These artifacts vary; some are large (aircraft and spacecraft) but many are relatively small (aircraft equipment or military or commercial airline uniforms and insignia, for example, or items of popular culture—air and space toys and games).

SR-71

Lockheed SR-71 Blackbird on display at the Steven F. Udvar-Hazy Center in Chantilly, VA.

 

Ray Guns

Four toy ray guns from the Museum’s space popular culture collection.

Museum stewardship demands that we manage our collections carefully. Part of our responsibility is to acquire material based on well-defined criteria and, in similar fashion, we occasionally choose to remove items from the collection (we call it deaccessioning).  To help us sort out what to collect, what to keep, and what to remove, we have a collections rationale—a document that guides these decisions. It is a category-by-category justification of our collecting practices. The collections rationale takes into account such things as an object’s historical significance, rarity, and our ability to care for it. These are updated every five years or so. Periodic reviews of the collection, using the rationale as a guide, may indicate that an object or objects no longer fits the Museum’s collecting objectives and should be deaccessioned. This is a decision that goes through a careful process of review, with the aim of finding a home for the objects at another museum.

Since 2006 we have deaccessioned a number of large objects: a Boeing B-17G Flying Fortress went to the Mighty 8th Museum in Savannah, Georgia; a Boeing B-17D Flying Fortress “Swoose” went to the National Museum of the United States Air Force in Dayton, Ohio; a Curtiss C-46F Commando went to the Glenn H. Curtiss Museum in Hammondsport, New York; a McDonnell KDD-1 Katydid Drone went to the Evergreen Aviation and Space Museum in McMinnville, Oregon; a Grumman X-29 full-scale model went to the Cradle of Aviation Museum in East Garden City, New York; two 1/3-scale models of Mercury capsules went to the New Mexico Museum of Space History in Alamagordo, New Mexico, and the Penn-Harris Planetarium in Mishawaka, Indiana; a Vanguard I mockup went to the U.S. Naval Research Laboratory in Washington, D.C. We’ve also deaccessioned a number of smaller artifacts to museums and educational institutions.

Grumman X-29

A full-scale model of the Grumman X-29 formerly on display in the Beyond the Limits gallery at the Museum in Washington, DC, now belongs to the Cradle of Aviation Museum in East Garden City, New York.

Early in 2012, our Aeronautics Department and Space History Department completed their work on the Museum collections rationales, including a listing of candidate objects for deaccession. Among the candidates from the Aeronautics Department are aircraft, aircraft engines, items of award (plaques, certificates, etc.) and personal equipment (flight clothing, full and partial pressure suits, etc.). Those from the Space History Department include items of human spaceflight, rockets and missiles, guidance, navigation and control, the space sciences, and civilian applications satellites.

We have now made this list of candidate deaccessions available to the museum community.  Initially, this effort will focus on working with the Mutual Concerns of Air and Space Museums, an international consortia of air and space museums, then seek to broaden outreach to the Smithsonian Affiliations program, and the American Association of Museums (AAM) communities. The list of items we plan to deaccession may be viewed on our website. Here members of the museum communities mentioned above will be able to review what we have made available and contact us to acquire these artifacts.

Institutional policy in regard to deaccessioning objects from the Museum’s collection dictates that the artifacts rightfully should go to other museums and educational institutions with a similar mission and goals and not to the general public. As part of our stewardship responsibilities we must see to it that these objects end up in good hands after they leave our control.

Dominic A. Pisano is a curator in the Aeronautics Department of the National Air and Space Museum.