Monthly Archive for October, 2011

Taking Flight with Lady Liberty

What comes to mind when you think of the Statue of Liberty? America, freedom, democracy. Her image is immediately recognized around the world as an ambassador for the United States and icon of the American dream.  She has been the focal point of many a celebration over the years and in several cases, the gracious hostess (and waypoint) for aerial races and demonstrations.  In celebration of her 125th anniversary, we gathered a few images, objects, and posters that feature inspiring views of Lady Liberty in the context of flight.

Wilbur Wright flies a Wright Type A by the Statue of Liberty during the Hudson-Fulton Celebration in 1909. (Smithsonian National Air and Space Museum Archives)

Wilbur Wright  was contracted for $15,000 to make a series of flights during the two-week Hudson-Fulton Celebration in 1909, which was commemorating the 300th anniversary of Henry Hudson’s first entry into what would become New York Harbor, and the centennial of Robert Fulton’s first voyage of his North River Steamboat up the Hudson River in 1809. Wilbur made a seven-minute flight on September 29th , circling the Statue of Liberty.  On October 4th, he made a long-distance flight of more than 33 minutes and approximately 20 miles from Governor’s Island to Grant’s Tomb and back, again circling the Statue of Liberty.  It is estimated that a million people witnessed Wilbur’s flight up the Hudson from Governor’s Island. For these flights, Wilbur attached a red canoe under the airplane as a make-shift pontoon in the event he was forced down in the water.  The canoe survives and today is on display in Carillon Historical Park in Dayton, Ohio.

The popular journal "Harper's Weekly" covered Wilbur's circling of the Statue of Liberty. An original is on display in "The Wright Brothers & The Invention of the Aerial Age" exhibition in Washington, DC. (Smithsonian National Air and Space Museum Archives)

John Bevins Moisant flew over New York Harbor in 1910 in a Blériot XI monoplane. This flight took place during the Statue of Liberty Flight prize race on October 27, 1910.  The race was the final event in one of the first major flying meetings held in the U.S., the International Aviation Tournament at Belmont Park, NY.

Clock from the Lindbergh King Collection ( (Smithsonian National Air and Space Museum)

Lady Liberty appears frequently in memorabilia commemorating Charles Lindbergh’s historic solo transatlantic flight from New York to Paris. On this clock, displayed at the Museum’s Steven F. Udvar-Hazy Center, the Statue of Liberty represents New York (America) while the Eiffel Tower represents Paris (Europe) with the Spirit of St. Louis flying between them. Not to scale, of course.

TWA used an inspiring visual of Lady Liberty with one of their Lockheed Constellation aircraft in this advertisement for commercial passenger service to and across the U.S. (Smithsonian National Air and Space Museum)

 

Bill Bennett demonstrates his tow-kite in a flight around the Statue of Liberty on July 4, 1969. (Smithsonian National Air and Space Museum)

Bill Bennett played a key role in the initial development of hang gliding in the U.S. He was a spectacular promoter of the sport and stirred publicity for his tow-kites when he flew near the Statue of Liberty on July 4, 1969, released his towrope and circled the monument twice, landing at its base. Several of his gliders are in our collection.

In 1986, a major celebration was held for the restoration and 100 year anniversary of the Statue of Liberty. Liberty Weekend included a blimp race and flyover by the U.S. Air Force Thunderbirds aerial demonstration team.  We don’t have any images from Liberty Weekend handy, but here is a great shot of the Thunderbirds with Lady Liberty in 2005.

Six F-16 Fighting Falcons with the U.S. Air Force Thunderbirds aerial demonstration team fly in formation over the Statue of Liberty before an air show May 26, 2005. (U.S. Air Force photo by Staff Sgt. Josh Clendenen)

Over the years, the Statue of Liberty has symbolized many things, Freedom, Enlightenment, Compassion, Acceptance to all those arriving in the land of opportunity — what does she mean to you?

Secretary Langley on a Really Good Cup of Coffee

Langley

Samuel P. Langley, Secretary of the Smithsonian Institution. Photograph by R. H. Lord

Samuel P. Langley, Secretary of the Smithsonian Institution. Photograph by R. H. Lord, SI 87-17019.

Blogs across the Smithsonian will give an inside look at the Institution’s archival collections and practices during a month long blogathon in celebration of October’s American Archives Month. See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website.

As the Museum’s Archives Division packs up and continues with our epic move to the Stephen F. Udvar-Hazy Center, we’re occasionally featuring highlights from our collections. When I was working on a collection of the aeronautical papers of Samuel Pierpont Langley (1834-1906), the third Secretary of the Smithsonian Institution, I was struck by the wealth of detail in his research and the meticulousness of his note-taking. And as a man whose interests ranged from astronomy, astrophysics, aeronautics, and bird flight, mathematics, and the reckoning of standard time, Langley enjoyed observing and describing all sorts of processes — and then suggesting improvements. Take this undated memo in which Langley describes in minute detail the preparation of of a really good cup of coffee at the Posthof café in the spa town of Carlsbad in Bohemia, then part of Austria-Hungary (now Karlovy Vary in the Czech Republic) to his niece Mary:

Dear Mary,

I hope this will interest you.

Affectionately,

Your Uncle Samuel

The best coffee in Carlsbad is at the Posthof, and is as good as I know of anywhere. I have been looking into the kitchen this morning and seeing it prepared. The statement that figs or anything of the kind are employed is legendary. There is absolutely nothing but coffee, and it owes its superior excellence to the freshness and the pains taken in its making.

1. The coffee in the berry.

There are four kinds of coffee bean employed: the Menado, Ceylon, Java and Preanger. I do not know the English equivalents for the first and last. They are of very different sizes indeed, and this difference in size of the berry must make it difficult to burn them equally.

2. Roasting.

The roasting is done in a rotary wire mesh over a slow fire. The coffee is renewed three times daily. Each time 10 to 20 pounds of coffee is roasted, a girl turning the handle, and the process occupying in each case nearly an hour. In spite of this care, when the beans come out some of them are very dark and these are picked out.

3. Grinding.

The coffee is then ground to a very uniform fineness, something between the head of a small pin and a coarse sand. It is in no ways ground into a snuff-like powder, but is always clearly perceptible as particles between the fingers. The color of the ground coffee is a light chestnut.

4. Mixing with water.

Somewhat over one-quarter of a pound of the ground coffee is measured in a tin and this is emptied into a tin pail holding, I suppose, four to six gallons. Into this is poured, actually boiling soft water, enough to make 10 portions of the coffee. This softness is considered so important, that if the water be at all hard, a little soda is first added to soften it. The coffee and water are then well stirred with a spoon, and the lid put on and allowed to remain two minutes, when it is poured onto a thick straining cloth placed in a tin vessel with large holes at the bottom through which it drains into a white stone pitcher, which is itself set in boiling water. From this pitcher it is poured into the little ones in which it is served on the table.

5. Serving.

The amount of coffee and water just described will, as I have said, make 10 portions, each of which will be, with the addition of the milk, two of the little cups here, or hardly one good breakfast cup as we have it at home. It is served ordinarily with milk which has been boiled, and which has a little whipped cream on top.

6. Comment.

The one criticism I can make is that the coffee with the above proportion of water, is served too diluted for a café au lait. It would be better made half as strong again and diluted with a larger proportion of hot milk.

 

(From the Samuel P. Langley Collection (Accession XXXX-0494), box 38, folder 58. Another collection of Langley’s papers is held by the Smithsonian Institution Archives.)

 

Very interesting — who actually uses figs in coffee-making? But if Secretary Langley were still with us today, I think that I would rather not be the barista at his local coffee shop.

 

Allan Janus is  a museum specialist in the Archives Division of the National Air and Space Museum.

 

The Tomboy of the Air

Blogs across the Smithsonian will give an inside look at the Institution’s archival collections and practices during a month long blogathon in celebration of October’s American Archives Month. See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website .

One hundred and one years ago, on October 23, 1910, Blanche Stuart Scott made her first public flight with the Glenn Curtiss Exhibition Team in Fort Wayne, Indiana.

Scott, billed as the “Tomboy of the Air,” is one of America’s earliest female aviators.  There is conflicting evidence regarding the exact date of Blanche Stuart Scott’s first solo flight, so we may never determine which of Scott or Bessica Raiche was, indeed, America’s first female to fly solo.

 

Blanche Stuart Scott

Blanche Stuart Scott seated at the controls of a Curtiss Model D, circa early 1910s. SI-72-4803-A

 

There are also conflicting reports on Scott’s appearance in Fort Wayne.  The Fort Wayne Journal-Gazette reported that Scott flew across the field and landed immediately, though she had wished to make a few circles.  In later years, Scott remembered making eight circles of the field.  In most reports, Scott’s flew at a height of approximately twelve feet, ostensibly because show promoters did not want outside spectators to get a free show.

Regardless of these conflicting reports, Blanche Stuart Scott is a pioneer of American aviation.  The Blanche Stuart Scott Collection (Acc. No. XXXX-0062) at the National Air and Space Museum Archives Division contains 0.0283 cubic meters (one cubic foot) of material relating to the pioneering aviatrix. It includes correspondence, memorabilia, and a great many newspaper clippings.   A finding aid to the collection can be found in both PDF and HTML formats.  The Archives Division also has a sizeable file on Scott in its Biographical Technical Files.

Elizabeth C. Borja is a reference services archivist in the National Air and Space Museum’s Archives Division.

Costume Ideas from the Great War

 

ballet

An Aeronautical Ballet, 1918. NASM 9A 02153

If you’re still stumped over what your costume will be for next Saturday’s big Air & Scare at the Museum’s Udvar-Hazy Center (October 29 from 2 – 8 pm), the photograph shown above, from the July 1918 issue of Die Luftflotte, might provide some inspiration. The Hamburg Youth Division of the German Airfleet Association (the Deutscher Luftflotten-Verein) performs their “great and patriotic” aeronautical ballet Through Battle to Victory at a rally of the association to benefit  injured pilots and their families. The dancers outfitted as monoplanes are a superb touch – the fellow on the right with the hammer must be Thor, but there’s no explanation in the original caption as to what the other characters portray. Maybe the chap with the umbrella is portraying a Morane Parasol fighter?

If you picked an aircraft-themed costume for Halloween, what would you choose? I’d like to go trick-or-treating as a sleek SPAD XIII or an Albatros D.Va. But sadly, I’d be more realistic as a blimp… Add your choice to the comments.

Allan Janus is a museum specialist in the Museum’s Archives Division.

 

The STS-135 crew comes for a visit

The National Air and Space Museum was once again honored to host a space shuttle crew this past Friday. This visit was special because it was the STS-135 crew of the shuttle Atlantis, the historic final mission that returned on July 21. The crew was only four astronauts for this last flight, smaller than the normal seven.  Commander Christopher Ferguson explained that it was originally a contingency mission but in the end NASA decided that it was needed to deliver supplies to the International Space Station (ISS).

STS-135 crew

STS-135 crew takes questions from an audience in the Moving Beyond Earth gallery of the National Air and Space Museum. Left to right, Rex Walheim (mission specialist), Sandy Magnus (mission specialist), Doug Hurley (pilot), and Chris Ferguson (mission commander).

A surprising number of people in the audience had attended the launch and the energy in the room was palpable.  The audience included students visiting from Peru and a class from Bristol, England via videoconference.  Against a backdrop of a space shuttle model under a stunning projection of the limb of the Earth, the crew told about their trip and acknowledged its emotional impact. All were veterans of other missions and knew this may be their last trip to space.  Commander Ferguson admitted he found it difficult to leave to return to Earth and that the last night in space they all took time to reflect on their experiences as astronauts. They shared a group photo taken in space with a small U.S. flag that had been aboard STS-1, the first shuttle mission 30 years ago. They explained that they left the flag on the ISS in hopes that a future crew will return it to Earth and then take it again into space. [See video of the full presentation.]

crew

Space Shuttle "Atlantis" STS-135 crew. From left to right, Doug Hurley (pilot), Sandy Magnus (mission specialist), Rex Walheim (mission specialist) and Chris Ferguson (mission commander).

Astronaut crews are great at answering the many questions that they receive from curious Museum visitors. This time the questions included:  What’s next for NASA? What’s a typical day like for an astronaut? Is the US going to the Moon again? Why go back to a capsule design? What is the food like in space? What does it feel like to return to Earth after being in space for several months? (Mission specialist Sandra Magnus answered that one because she lived on the ISS for four months). My favorite question was “does the shuttle get hot inside during re-entry?”  Pilot Douglas Hurley said astronauts don’t feel the inside cabin get warmer. They maneuver the shuttle to keep it cool before the descent to Earth and he said it feels like winter in the cabin. Most fascinating was his description of the pink and orange plasma that lit up the darkness around the shuttle on re-entry.  Because the landing happened at night, the light show was spectacular.

As they ended their presentation they showed the final photograph taken of a shuttle in space.  Of thousands of spectacular photos taken of shuttles in space over 30 years, perhaps this one is most poignant. It represents the end of an era.

Shuttle

"Atlantis" is pictured here in the last photograph ever taken of a space shuttle in space. Copyright: Aerospace Corporation, 2011.

Fortunately,  there is another chapter to the shuttle story. The shuttle fleet will be preserved and on display in museums around the country. The National Air and Space Museum looks forward to receiving Discovery next year.  If the shuttles could talk they would have many stories to tell.  It is left for historians to tell those stories and next year the Museum will complete installation of Moving Beyond Earth, a new exhibition devoted to the story of human spaceflight in the shuttle era and beyond.

And, of course, the Museum looks forward to hosting the next astronaut crew, whenever that will be.

Do you have memories of meeting shuttle astronauts?  Share your story.

Tim Grove is Chief of Education for the Museum in Washington, DC.

Packing up Our Secret Decoder Ring

Blogs across the Smithsonian will give an inside look at the Institution’s archival collections and practices during a month long blogathon in celebration of October’s American Archives Month. See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website.”

 

Contents of Box

Flat box containing "Aircraft Recognition Training Materials" collection, Accession XXXX-0158.

 

You know when you’re packing up for a move to a new house boxes everywhere frantic activity to get everything stored away before the movers arrive,  and you still have to clean out the fridge.  Suddenly you come across an old family treasure a photo album, your old baseball cards, or maybe your raygun collection and everything stops while you rummage nostalgically for a few minutes. That’s what’s been going on from time to time in the Museum’s Archives Division offices, as we prepared for our move to the Stephen F. Udvar-Hazy Center this month. We would pause from time to time to appreciate some of our favorite things our chief photo archivist Melissa Keiser tells the story of one such artifact:

One day I was in the Archives storage box at the Paul E. Garber Restoration and Storage Facility in Silver Hill, Maryland looking for something in the Basil Lee Rowe Collection (NASM Accession XXXX-0019). The large 20 x 24 inch flat box I needed to check was under another big box; when I moved the top box, something inside the flat box slid heavily and went “Clunk!” Fearing some damage might have occurred to the contents, I opened the box to check.

 

The box, labeled Aircraft Recognition Training Materials, NASM Accession XXXX-0158, seemed to be full of a variety of manila envelopes, but on top of everything was this great big colorful circular thing with a World War II vintage P-39 screaming through the clouds — wow!

 

Wheel Chart

World War II Aircraft Identification Wheel Chart (Volvelle), NASM 9A-07661.

 

(It’s a wheel chart, also known as a volvelle, a device with a rich history, still used for pilots’ flight computers like the famous E6B “Whiz Wheel”.)

I’ve seen lots of aircraft recognition training aids in our collections, but they’re usually black and white silhouettes, or sober halftone photographs. This thing was more like a giant cereal box prize or a secret decoder ring! Obviously intended to appeal to a more general audience, I could picture Dad coming home from work one day with this spiffy doodad to share with the kids. Now we can ALL have fun watching the skies for enemy aircraft!

 

Reverse wheel chart

Reverse of Aircraft Identification Wheel Chart, NASM 9A-07662.

 

And on the back, there’s a selection of colorful US Army Air Forces squadron insignias. Melissa passed it around, and we all admired it for a minute or two, and then we got packing once again. Because the moving van is already at the door.

Allan Janus is a museum specialist in the Archives Division of the National Air and Space Museum.

Remembering Steve Jobs

Like so many of us, I too was saddened to hear of the death of Steve Jobs last week. I never owned an Apple II, but I recalled very well those early days of personal computing, when one had to choose among a variety of machines with different operating systems, hardware configurations, and processors. My first computer used the same processor as the Apple II (A Motorola 6502, if you care about these things), but it had a different operating system. Unfortunately, my memory is not as clear about the time, years later, when Steve Jobs visited the National Air and Space Museum.

 

NeXT

NeXT Workstation. Source: picture taken by Alexander Schaelss, 15 April 2004. License: GNU FDL; Creative Commons Attribution-Share Alike

I believe it was around 1988, when the Beyond the Limits gallery was being installed. At that time Jobs had left Apple and was the head of a company called “NeXT,” which was selling a workstation, whose capabilities went beyond those of SUN or Silicon Graphics machines, not to mention ordinary personal computers.  In any event, Jobs had enough faith in what we were doing to make a donation to the Museum to support the Beyond the Limits Gallery. He also gave us a NeXT workstation, which we promised him we would use to develop a flight simulator for the gallery. But after some efforts, we eventually gave up. I regret we were not able to make his NeXT donation work. The NeXT computer was tricky to work with, but it did have its fans. One researcher at the European Center for Nuclear Research (CERN) in Switzerland got one, and while we were struggling to program ours, he used his to write a program for the Internet that he called the World Wide Web. Maybe you’ve heard of it.

Business Card

Steve Job's business card.

We searched in vain for photos of that evening when Jobs was here, but I did manage to find his business card in my card file. So long Steve, and thanks for having faith in the National Air and Space Museum. We will miss you.

Paul Ceruzzi is the Chair of the Space History Division at the National Air and Space Museum.

 

 

Mountain of Arabia

 

Joseph Mountain

Joseph D. Mountain. Al Jubayl, Saudi Arabia, May, 1935.Photograph by Max Steineke. SI 92-16169

 

Blogs across the Smithsonian will give an inside look at the Institution’s archival collections and practices during a month long blogathon in celebration of October’s American Archives Month . See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website.


In 1934, Joseph Dunlap Mountain, a thirty-two year old former Army Air Service pilot, signed on with the California-Arabian Standard Oil Company (CASOC, now Saudi Aramco) to serve as a pilot, aerial photographer and mechanic on the company’s 1934-’35 survey expedition to the Kingdom of Saudi Arabia.

 

water holeWater vendor. Al Hofuf, Saudi Arabia, March 19, 1935. Photograph by Joseph D. Mountain. SI 92-16126.

 

The expedition was, of course, looking for oil. In addition to the aerial photographs he took from the expedition’s Fairchild 71 monoplane, Mountain also snapped hundreds of other photographs, making a fascinating document of the desert kingdom at the very edge of the tremendous changes that the petroleum era brought to the Gulf. The images are a fascinating record of traditional Saudi Arabian life, crafts and architecture. Mountain photographed portraits of dancers at Eid al-Fitr celebrations, market scenes in Hofuf and the Old Town of Al Jubayl, camel caravans, Saudi hunters with their hawks, and pearl fishermen and their dhows. Mountain also extensively photographed members of the CASOC expedition – Art Brown, Hugh Burchiel, J. W. (Soak) Hoover, Russell Gerow, Dick Kerr, Schuyler (Krug) Henry and Max Steineke – at work and relaxing with their Saudi co-workers and acquaintances.

 

 

well

Looking down on the well, Fort Dammam. January 5, 1935.Photograph by Joseph D. Mountain. SI 92-15966.

 

Later, Joseph Mountain flew as a pilot for Trans World Airlines. During World War II, he returned to active duty with the U.S. Army Air Corps. He was awarded the Bronze Star while serving in the China-Burma-India Theater and supervising supply missions over “The Hump” – the dangerous air route over the Himalaya Range. After the war, Mountain worked in the nascent computer industry and founded a computer manufacturing company and a data processing firm. Joseph Mountain died on November 25, 1970 at the age of 68, and his family donated his photographs, diaries and flight log books, reports, and maps to the National Air and Space Museum. His Saudi photographs can be viewed online – portraits of an exotic, but not so distant past.

Allan Janus is a museum specialist in the National Air and Space Museum’s Archives Division.

Where are the Voyagers now?

The remarkable twin Voyager spacecraft continue to explore the outer reaches of the solar system decades after they completed their surveys of the Outer Planets.  Launched in 1977 (September 5 for Voyager 1 (V1) and August 20 for Voyager 2 (V2), whose trajectory took it past Jupiter after Voyager 1), the spacecraft pair made many fundamental discoveries as they flew past Jupiter (March 1979 for V1, July 1979 for V2) and Saturn (November 1980 for V1, August 1981 for V2).  The path of Voyager 2 past Saturn was targeted so that it continued within the plane of the solar system, allowing it to become the first spacecraft to visit Uranus (January 1986) and Neptune (August 1989).  Following the Neptune encounter, both spacecraft started a new phase of exploration under the intriguing title of the Voyager Interstellar Mission.

Voyager

Voyager Spacecraft

Five instruments continue to collect important measurements of magnetic fields, plasmas, and charged particles as both spacecraft explore different portions of the solar system beyond the orbits of the planets.  Voyager 1 is now more than 118 astronomical units (one AU is equal to the average orbital distance of Earth from the Sun) distant from the sun, traveling at a speed (relative to the sun) of 17.1 kilometers per second (10.6 miles per second).  Voyager 2 is now more than 96 AU from the sun, traveling at a speed of 15.5 kilometers per second (9.6 miles per second).  Both spacecraft are moving considerably faster than Pioneers 10 and 11, two earlier spacecraft that became the first robotic visitors to fly past Jupiter and Saturn in the mid-70s.

 

Jupiter

This processed color image of Jupiter was produced in 1990 by the U.S. Geological Survey from a Voyager image captured in 1979.

As seen in the night sky at Earth, Voyager 1 is within the confines of the constellation Ophiuchus, only slightly above the celestial equator; no telescope can see it, but radio contact is expected to be maintained for at least the next ten years.  Voyager 2 is within the bounds of the constellation Telescopium (which somehow sounds quite appropriate) in the far southern night sky.

 

Heliosphere

Diagram of the Voyager and Pioneer spacecrafts leaving the solar system.

Both spacecraft have already passed something called the Termination Shock (December 2004 for V1, August 2007 for V2), where the solar wind slows as it starts to interact with the particles and fields present between the stars.  It is expected that both spacecraft will encounter the Heliopause, where the solar wind ceases as true interstellar space begins, from 10 to 20 years after crossing the Termination Shock.  Theories exist for what should be present in interstellar space, but the Voyagers will become the first man-made objects to go beyond the influences of the Sun, hopefully returning the first measurements of what it is like out there.  Each spacecraft is carrying a metal record with encoded sounds and sights from Earth, along with the needle needed to read the recordings, and simplified instructions for where the spacecraft came from, in case they are eventually discovered by intelligent extra-terrestrials.

 

Voyager Record

The Voyager "Sounds of Earth" Record, placed on board the Voyager spacecraft contains sounds and images selected to portray the diversity of life and culture on Earth.

 

Keep track of the Voyager spacecraft on the official Voyager Interstellar Mission website or follow @NASAVoyager2 on Twitter.

 

Jim Zimbelman is a geologist in the Center for Earth and Planetary Studies at the National Air and Space Museum.

The sun ejects a continuous stream of charged particles (electrons, protons, etc) that is collectively termed the solar wind.  The particles are traveling extremely fast and are dense enough to form a very tenuous atmosphere; the heliosphere represents the volume of space where the effects of the solar wind dominate over those of particles in interstellar space.  The solar wind particles are moving very much faster than the local speed of sound represented by their low volume density.  When the particles begin to interact with interstellar particles and fields (the interaction can be either physically running into other particles or experiencing an electromagnetic force resulting from a charged particle moving within a magnetic field), then they start to slow down.  The point at which they become subsonic (rather than their normal hypersonic speed) is the Termination Shock.

Flying the “Spirit of Tuskegee” Part III

This piece is a follow up to the posts below, in which I describe my experience flying a PT-13 Stearman that was used to train Tuskegee Airmen during WWII, from Moton Field, Alabama to Andrews AFB. This  aircraft has been accessioned into the collection of the National Museum of African American History and Culture. Please see:

Tuskegee Bird Flies North
Spirit of Tuskegee Arrives at Andrews AFB
“Spirit of Tuskegee” arrives at the Mary Baker Engen Restoration Hangar – Part II

 

spirit of tuskegee

Capt. Matt Quy instructs modern military curator Dik Daso in the proper use of safety belts in the cockpit

“Once upon a time, in a galaxy far, far away…” I was a USAF pilot. But I had not flown an aircraft since I retired in 2001. I was both excited and a bit nervous as Matt provided my orientation to the Stearman front cockpit. It is a simple plane and the front seat offers tremendous vistas, very few cockpit instruments to check, a basic throttle and mixture control on the left side and a control stick that when seated is centered between the knees.

Sitting in the sun at Moton Field was HOT. I mean totally-sweaty-in-five-minutes hot. After I was safely strapped into the seat, Matt hopped into the rear cockpit, fastened his safety belt and shouted the traditional engine start warning, “Clear Prop!” He had pulled the propeller through the arc about six times before we got in and the engine putted and popped to life. The propwash immediately lowered the temperature 20 degrees and things became very comfortable.

After a quick wave to the ground staff, Matt taxied the Stearman to the active runway. Since his forward vision is limited, he steered from left to right making a continuous “S” pattern to maintain a partial view of the way ahead. As we approached the hammerhead (the end of the taxiway where engine run-up’s are done prior to takeoff) Matt transmitted out departure direction over the radio so that any aircraft nearby would be alerted to our initial route of flight. After holding the brakes and running the 300 horse power Lycoming engine to full while checking the engine instruments, Matt taxied onto the active runway, gradually pushed up the throttle and we began the takeoff roll. We were airborne in about 121 meters (400 feet).

On the departure leg at Moton Field, Matt asked me if I was ready to fly the aircraft. It took me a moment to stow my iPad as I was attempting to send a “tweet” from the air (It didn’t work). I had to tuck it under my leg because there was no map storage case in the front cockpit.  That task accomplished, I reported that I was ready and he passed me control in the way that all Air Force pilots do—“OK, You have the aircraft,” to which I replied, “I have the aircraft!” including a little shake of the control stick that signaled a definite transfer of aircraft control.

I was flying a Stearman that had been flown by Tuskegee Airmen during WW II…to myself I thought, “Are you KIDDING…this isn’t really happening.” But it was.

During the first leg of the journey, I worked on polishing my rusty pilot skills so that Matt wouldn’t need to worry much while I was at the controls. He gave me a few pointers on maintaining speed and altitude, adjusted the power for efficiency, and navigated via land features and towns. We swapped control a few times during the hop, and we both enjoyed the scenery and the camaraderie that Air Force pilots seem to always generate. By the end of the near two-hour flight I had narrowed my margins from plus or minus 91 meters (300 feet) in altitude to plus or minus 15 meters (50 feet) and my course control had improved as well. Matt joked with me about being a “mostly-jet” pilot as I hadn’t touched the rudder once during the flight. For a propeller-driven airplane, yaw is created by the rotation of the prop, and for a real “stick and rudder man,” being just a little off coordinated flight is easy to pick up. Next leg, I started touching a little right rudder to coax the Stearman into flying a perfectly straight path through the sky. I think I had figured it out by the last day. Only Matt can confirm that fact.

In my last blog entry I recounted our flight over Appomattox Courthouse (“Spirit of Tuskegee” arrives at the Mary Baker Engen Restoration Hangar – Part II). As far as linking history to the plane, that was by far the most amazing moment. But there were other significant and extremely fun times during our 11 hours in the air. Here are a few of those.

 

On the way to Toccoa, Georgia, Tina had asked Matt to fly past Currahee Mountain. The rough translation from the native language is, “stands alone.” Appropriate as the 242 meter (800 foot) mountain can be seen from many miles away when the air is crisp and clear. During WW II, several paratrooper units trained for combat at the foot of Currahee.

 

currahee mountain

Currahee Mountain, Georgia, through the Stearman wing

When we landed at Toccoa, the weather looked a bit threatening. As Matt pulled up the fuel pump (that’s right, you just taxi right up to the pump like you do in your car), a young man who worked at the airfield approached Matt and offered to shelter the Stearman in a nearby maintenance hangar to protect it from looming thunderstorms. So Matt graciously accepted and we all breathed just a bit easier knowing that the aircraft was safe and sound. And while it did not rain or thunder while we were at Toccoa, the generosity and thoughtfulness demonstrated by this young fellow was just wonderful.

 

MX Hangar in Toccoa

The PT-13D in the MX hangar at Toccoa

On the next leg to Shelby, NC, Matt and I enjoyed some spectacular cloud formations and wonderful, very spiritual images of the sun piercing through them—breathtaking and humbling.

 

sun

Looking back, much of the flight was stunning and spiritual

Perhaps the most fun we had on the trip was at Orange, VA, where we quite accidentally met up with a great friend and fellow pilot, Matt Jolley. Jolley keeps his L-2 at Orange and happened to be there to move his plane around and secure another family member’s flyable Chipmunk before the arrival of a sizeable storm. But instead, in another simple act of kindness, Jolley gave Quy the keys to his hangar so that we could get the Stearman under cover, and, as it turned out, it was a very good thing. Although Matt and I had planned to make an additional hop that afternoon, the weather turned out to be too extensive so Matt decided to stay put in Orange. We all helped moving and tying down the three vintage planes and finished securing them just before a gulley-washer of a rain storm struck the field. The storm provided another tremendous image to add to the trip log.

 

Rain

Man, did it ever rain. Even though Matt Jolley gave up his hangar for the Stearman, he was rewarded with this remarkable shot of his L-2 surrounded by a colorful rainbow.

Matt Jolley happens also to be the host of the only 24/7 radio program devoted entirely to warbirds—WarbirdRadio.com.  So to pass some time while waiting for the storm to pass, Jolley interviewed Quy for the radio program.

 

Matt Quy and Matt Jolley

Matt Quy (left) and Matt Jolley

The following day, the three of us had a rare opportunity to do a little bit of formation flying—us in the Stearman and Jolley in the Chipmunk. We took off just after dawn and the rising sun was simply unearthly.

 

Chipmunk and Stearman

The Chipmunk and the Stearman on the ground at Orange, VA

 

Jolley returned to the field and landed while Matt demonstrated some simply acrobatic maneuvers for me in the Stearman. In reality, this is a very maneuverable warbird and can turn on a dime. We returned to Orange for some fuel, said our “thank yous” and farewells to Matt Jolley and the airfield staff, and took to the skies for the trip to Manassas, VA. We had an appointment with inspectors from the TSA and we didn’t want to be late. I took a short video at Manassas of what the landing looks like from the front cockpit. Matt is actually much smoother on landing than the clip shows as I “fumbled the football at touchdown” for just a second.

When a civil airplane is going to land inside the controlled airspace that surrounds the greater Washington DC area, the pilot, plane, and passengers must meet with inspectors from the TSA prior to entering the controlled area. While Matt is an active duty USAF officer, the plane is technically a civilian. We were to meet the team at Manassas for clearance before the short hop to Andrews AFB that afternoon. We arrived at the terminal building and waiting for us there was TSA—not one or two, but four TSA inspectors! After a search and baggage inspection, the TSA folks examined the Stearman inside and out and were finally satisfied that Matt, me, and the Stearman were cleared to proceed to Andrews AFB. They had a sense of humor after all was done and even posed with our luggage at the plane. They were all great young Americans.

 

TSA

The TSA team with Matt at Manassas

Then it was time to fly over to Andrews AFB, my last leg in the PT-13D. The flight went by far too quickly as both Matt and I were busy map reading to remain outside of the controlled airspace until it became necessary to enter for the approach to the airfield. After another perfect landing, Matt taxied the Stearman to Hangar #3 where it would remain until Friday—the day of its final flight to the Hazy Center.

After engine shutdown, Matt graciously fielded interview question and posed for pictures. He is a tremendous ambassador for the Tuskegee Airmen and the Air Force.

 

Quy

Capt. Quy fields a few questions upon arrival at Andrews AFB

In the final installment of this series I will fill you in on the interim plans for the PT-13D at the Udvar-Hazy Center near Dulles International Airport and also how the cooperative spirit at the Smithsonian helped to bring the Spirit of Tuskegee to Washington.

If you check our flight itinerary below, you will see some pretty rural locations. When flying under see and avoid rules in visual flight rules weather it is best to keep well away from large towns—and airports. At each stop the people we met were absolutely fabulous. They shared protective hangar space, helped to refuel the aircraft, lent us a car, drove us to a hotel, picked us up from a hotel, admired Matt’s plane, and took photographs. What great Americans—kind, thoughtful, interested, and aviation fanatics.

Flight Log:

Sunday, 31 July
Moton Field to Covington Muni, GA 1:47
Covington, GA to Toccoa, GA
Via Currahee Mountain
1:00
Toccoa, GA to Shelby, NC 1:45
Monday, 1 August
Shelby, NC to Blue Ridge Airport, Martinsville, VA 1:43
Martinsville, VA to Orange, VA
Via Appomattox Courthouse
2:00
Tuesday, 2 August
Orange, VA (Local Hop) :55
Orange, VA to Manassas, VA 1:00
Manassas, VA to Andrews AFB, MD :50

Dik Daso is a curator in the Aeronautics Division of the National Air and Space Museum.