The Crew of US Airways Flight 1549 to be Presented with the National Air and Space Museum's Trophy Award for Current Achievement

Sometimes seemingly ordinary people become extraordinary by staying remarkably calm and capable in a crisis.  The crew of US Airways Flight 1549 performed exceptionally on January 15, 2009, when their Airbus A320 jetliner became disabled over New York City after flying through a flock of geese moments after they took off from LaGuardia Airport.  Capt. Chesley B. “Sully” Sullenberger and First Officer Jeffrey B. Skiles masterfully guided the powerless aircraft to an emergency “landing” on the Hudson River.  Flight attendants Donna Dent, Doreen Welsh, and Sheila Dail quickly and safely evacuated all 150 passengers.  Although the captain and crew modestly claimed they were “just doing what they were trained to do,” rarely has such an urgent situation been so capably executed to avert disaster.  The successful end to US Airways Flight 1549 without fatalities lasted only a few minutes, but this remarkable achievement exemplified the value of training, experience, and professionalism for the safety of commercial aviation.  That is why the National Air and Space Museum will be awarding them our Annual Trophy for Current Achievement for 2010.

US Airways Flight 1549 Crew

Flight crew from US Airways flight 1549. From left to right: Chesley Sullenberger, Doreen Welsh, Donna Dent, Sheila Dail and Jeffrey Skiles.

The crew of flight 1549 will be participating in an online conference this Wednesday, April 28th, where they will be taking your questions about this heroic accomplishment. Please register now to join the conversation.

Bob Van der Linden is the chair of the Aeronautics Division of the National Air and Space Museum.

Christopher C. Kraft, Jr. to be awarded the National Air and Space Museum's Lifetime Achievement Award

On April 28th, we will be awarding the National Air and Space Museum’s Trophy Award for Current and Lifetime Achievement. The Trophy was initiated in 1985 and has been given every year but one since then. This year, the Lifetime Achievement Award will be given to Christopher C. Kraft, Jr., for a lifetime of service to aerospace, especially for his role in defining the responsibilities of Mission Control for human spaceflight at NASA. Anyone who has seen the Hollywood film Apollo 13 knows how crucial the mission controllers were in saving that mission and its crew from disaster. While the filmmakers may have exaggerated a few things, in that regard they were correct. Mission controllers—at first located at Cape Canaveral, later on in Houston—were critical to the success of all the human missions into space, and it was Kraft who determined their roles and responsibilities. By the time of the first crewed Apollo missions beginning in 1968, Kraft had been promoted to be Director of Flight Operations, and although he was no longer directly “in the loop” at Mission Control in Houston,  the controllers on duty were all his disciples, following his plan.

Chris Kraft

Gene Kranz (center) and Chris Kraft (right) at the flight operations director console in the mission operations control room of JSC's mission control center.

Last July, Kraft spoke at the Museum along with the three Apollo 11 astronauts: Michael Collins, Neil Armstrong, and Edwin Aldrin, on the occasion of the 40th anniversary of the historic first human journey to the Moon’s surface.

[youtube=http://www.youtube.com/watch?v=w9fCPhspOCQ]

In his remarks, Kraft reminded the audience how the success of Apollo depended on fundamental research done many years earlier at NASA’s predecessor, the National Advisory Committee for Aeronautics, at Langley Field, Virginia, a few miles from the town where Kraft grew up. He began working there in 1945, after graduating from college, and joined the Space Task Group shortly after the Soviet Union orbited Sputnik, when NACA was being absorbed into the newly-created NASA. It was from those humble beginnings that the triumphs of America’s space program emerged.

Dr. Chris Kraft will be participating in a live, online educational conference on Wednesday, April 28th.  Registration for the event is now open.

Paul Ceruzzi is a curator specializing in aerospace computing and electronics in the Division of Space History at the National Air and Space Museum.

Model Students

I teach an exhibition design course as an adjunct professor for the George Washington University’s Museum Studies program.  I tell my students I’ve got the best job in the world: designing exhibitions for the Smithsonian’s National Air and Space Museum. They often ask what you need to know to be an exhibit designer and how they can get there, too.

Some of the many paths to this profession include education and training in graphic design, architecture, interior design, fine arts, industrial design, theater set design and interactive media. You don’t have to be an expert in any of these areas (I’m not), but what helps is having a very broad range of interests. For example, here are a few of mine:

  • Art: I majored in Fine Arts (Graphics) and have a master’s in Theater Set Design. Art is my first love.
  • Objects: Objects tell powerful stories and mean different things to different people. I’m a collector.
  • History: The stories, events and people associated with objects truly fascinate me. I can’t get enough!
  • Math: I use basic math to make detailed structural drawings of exhibits and build scale models. Fun!
  • Culture: I love learning about different cultures. When I work on an exhibition design, I keep in mind the diverse ages, nationalities and levels of education of our visitors.
  • Writing: The words in an exhibit interpret the objects and tell the related stories. I enjoy digging into the content, reading up on the subject and thinking of ways to make it accessible to a general audience.
  • Science: I discovered how much I like science when I worked on an exhibition on the physics of flight. That’s another great thing about working in a museum: you learn so much with every new project!
Jenna Kush

Jenna Kush posing in front of her banner

Each year, my GWU students select a topic related to the content of an exhibition currently under development. They conduct research, write label scripts, select photographs and design 3- by 5-foot  banners to be displayed temporarily in the Museum. They work with museum curators, designers, educators, archivists and a script editor throughout the semester to design and refine their banners. Most have no prior knowledge of the assigned topic, so the project is a true reflection, in miniature, of the exhibit design process.

This year’s student exhibit topic is satellite navigation technology. The 20 graduate students researched the history of satellite navigation, the cultural implications of social uses of GPS technology and the science of satellite operations and launch methods. They wrote exhibit labels in language that would be universally accessible, selected photographs of important objects to tell their stories, used basic math to scan and scale the photographs for correct resolution and used art skills to create an attractive layout design for their final banners. The results speak for themselves. The student banners are worthy of display in the world’s most visited museum and you can see them in the National Air and Space Museum’s “West End” gallery, right next to the flight simulator room.

Corina Miclea

Corina Miclea posing in front of her banner

The George Washington University student banners will be on display through May 2010 and possibly longer. Come check them out!

Barbara Brennan is Chair of Exhibits Design at the National Air and Space Museum.

A “New Mars” Comes to the National Air and Space Museum

The Exploring the Planets Gallery in the National Air and Space Museum’s National Mall Building recently underwent a major update to the section devoted to scientific exploration of Mars. This new exhibit features the results of the Mars Exploration Rovers, the Mars Reconnaissance Orbiter, Mars Express, and other recent spacecraft that have revolutionized our ideas about the surface, atmosphere, ice deposits, and ancient water on the Red Planet.

Mars Portion of the Exploring the Planets Gallery

New Mars Section of the Exploring the Planets Gallery at the National Air and Space Museum

Visitors will find fantastically detailed images of the surface taken from orbit by the HiRISE camera, a full-scale model of a Mars Exploration Rover, instruments used by the Viking spacecraft to make the first searches for life, views inside the polar caps provided by radar sensors, a watch that runs on “Martian time,” and a chunk of rock that landed in Antarctica after being blasted from the surface of Mars by an impact. The new exhibit puts all this information together to reveal Mars as a complex and still-puzzling world that holds valuable clues to the development of our own planet and those around other stars.

We welcome comments on the new exhibit. Please note that installation of a few items, such as the Mars rover model, have been delayed due to the weather-related problems at the Museum’s storage facility.

Bruce Campbell is a geologist in the Center for Earth and Planetary Studies at the National Air and Space Museum

Why Yuri Gagarin Remains the First Man in Space, Even Though He Did Not Land Inside His Spacecraft

Every year as the anniversary of the first human spaceflight approaches, I receive calls inquiring about the validity of Yuri Gagarin’s claim as the first human in space.  The legitimate questions focus on the fact that Gagarin did not land inside his spacecraft.  The reasoning goes that since he did not land inside his spacecraft, he disqualified himself from the record books.  This might seem to be a very reasonable argument, but Gagarin remains the first man in space.  The justification for Gagarin remaining in that position lies in the organization that sets the standards for flight.

Yuri Gagarin

Soviet cosmonaut Major Yuri Alexeyevich Gagarin, probably on or about April 12, 1961, when he made his orbital space flight in Vostok 1.

The Fédération Aéronautique Internationale (FAI) is the world’s air sports federation.  It was founded in 1905 as a non-governmental and non-profit making international organization to further aeronautical and astronautical activities worldwide.  Among its duties, the FAI certifies and registers records.  Its first records in aviation date back to 1906.  The organization also arbitrates disputes over records.  If nationals from two different countries claim a record, it is the FAI’s job to examine the submitted documentation and make a ruling as to who has accomplished the feat first.  When it was apparent that the United States and the Union of Soviet Socialist Republics were planning to launch men into space, the FAI specified spaceflight guidelines.  One of the stipulations that the FAI carried over from aviation was that spacecraft pilots, like aircraft pilots should land inside their craft in order for the record to be valid.  In the case of aviation, this made perfect sense.  No one wanted to encourage pilots to sacrifice themselves for an aviation record.  Piloting an aircraft that could not land did nothing to further aeronautical engineering.

When Yuri Gagarin orbited the Earth on 12 April 1961, the plan had never been for him to land inside his Vostok spacecraft.  His spherical reentry capsule came through the Earth’s atmosphere on a ballistic trajectory.  Soviet engineers had not yet perfected a braking system that would slow the craft sufficiently for a human to survive impact.  They decided to eject the cosmonaut from his craft.  Yuri Gagarin ejected at 20,000 feet and landed safely on Earth.  Soviet engineers had not discussed this shortcoming with Soviet delegates to the FAI prior to his flight.  They prepared their documents for the FAI omitting this fact.  This led everyone to believe that Gagarin had landed inside his spacecraft.  It was not until four months later, when German Titov became the second human to orbit the Earth and the first person to spend a full day in space, when the controversy began to brew.  Titov owned up to ejecting himself.  This led to a special meeting of the delegates to the FAI to reexamine Titov’s spaceflight records.  The conclusion of the delegates was to rework the parameters of human spaceflight to recognize that the great technological accomplishment of spaceflight was the launch, orbiting and safe return of the human, not the manner in which he or she landed.  Gagarin and Titov’s records remained on the FAI books.  Even after Soviet -made models of the Vostok spacecraft  made it clear that the craft had no braking capability, the FAI created the Gagarin Medal that it awards annually to greatest aviation or space achievement of that year.

One should keep other examples of a sports federations’ reconsideration of rules in the face of new techniques and technologies in mind when considering the FAI Gagarin decision.  The underwater dolphin kick in freestyle swimming and the introduction of the clap skate in speed skating both caused initial international flaps.  After the respective sports federations voted to accept these changes, that ended the controversy.  Yes, Gagarin did not follow the rules that the FAI established before his flight.  However, as is true with any sports organization, the FAI reserved the right to reexamine and reinterpret its rules in light of new knowledge and circumstances.  Yuri Gagarin remains indisputably the first person in space and the concept that the first cosmonauts had to land inside their spacecraft is a faded artifact of the transition from aviation to spaceflight.

Cathleen S. Lewis is the curator of international space programs and spacesuits at the National Air and Space Museum.