On This Spot …

The millions of visitors who pass through the doors of the National Air and Space Museum each year come to see the real thing, the actual air and space craft that shaped history – from the world’s first airplane to the back-up hardware for the latest robot spacecraft on its way to explore another world. Few if any of our visitors, however, realize that aerospace history was made on the site of the National Air and Space Museum one hundred and forty eight years ago.

On June 16, 1861, the Civil War had been underway for just two months. The first major battle of the war, which would take place near a quiet stream called Bull Run, 30 miles southwest of Washington, was still a little over a month away. At the time, the Columbia Armory stood where the National Air and Space Museum is now located, east of 7th street, at the extreme southeastern tip of the 52 acre plot then known as the Smithsonian Grounds.

The neighborhood was far from being the tourist friendly area of today. The odiferous City Canal carried Washington’s sewage and waste water along the northern edge of the Mall and into the Potomac. Visitors were warned to beware of thieves while out for an evening stroll along the trails that wound through the trees and shrubs covering the marshy Smithsonian Grounds. For over two decades Mary Ann Hall had operated one of Washington’s best known houses of prostitution just one block to the east. Until the abolition of the slave trade in the District of Columbia in 1850, Robey’s notorious slave pen stood one block west of the Armory site, at the corner of 8th and B Street (now Independence Avenue).

Built in 1856, the Columbia Armory housed the District of Columbia’s store of small arms and other military equipment. The Washington Gas Light Company generating plant was immediately east of the Armory, along with a large domed gasometer, or storage tank for the coal gas produced by the plant. It was the combination of the available work space at the Armory and city gas next door that led Smithsonian Secretary Joseph Henry to instruct Thaddeus Sobieski Constantine Lowe to inflate his balloon on this site.

Thaddeus Lowe

Thaddeus Lowe

A New Hampshire man, Lowe (1832-1913), had emerged as one of the nation’s best-known aerial showmen since his first flight in 1857. He made headlines with a giant balloon exhibited in both New York and Philadelphia, with which he hoped to fly the Atlantic. When that plan fell through, and on the advice of Joseph Henry, his scientific advisor, Lowe made a long flight from Cincinnati to Unionville, SC aboard the balloon Enterprise, on April 19, 1861.  Landing only a week after the firing on Fort Sumter, the aeronaut was taken into custody by newly minted Confederates, and was released only after locals recognized his face from accounts of his transatlantic plans published in the illustrated national newspapers of the day. 

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International Year of Astronomy Public Observatory Project at The National Air and Space Museum

2009 is the 400th anniversary of Galileo’s use of a telescope to examine the Moon, Venus, Jupiter and the Milky Way.  He probably wasn’t the first to do so, and of course he didn’t invent the telescope.  But he was the first to tell the world about what he saw, in terms everyone could understand and appreciate.  That is why the International Year of Astronomy has as its central goal giving as many people as possible the chance to look through a telescope and to enjoy the practice of doing astronomy, just like Galileo did, and better even!

The idea of such a celebration was born at a meeting of the International Astronomical Union. Once every three years, astronomers from all over the world meet in General Assembly.The last time was August 2006, in Prague. While some astronomers unceremoniously demoted Pluto at this meeting, others vowed to reaffirm that astronomy is for everybody, and is everywhere and anywhere you can see the sky,day or night. Some even proclaimed that they’d make it their mission to help anyone who wished to have the opportunity to peer through a telescope at a star, the Sun, Moon or a planet.

I was at that meeting,and thought it was a terrific idea. No, not demoting Pluto, but the IYA. I remember asking myself, how can The National Air and Space Museum contribute to this wonderful goal? The Washington Mall is not the best place to view the night sky, or the day sky for that matter. But it is where the people are – people of every shape, size, gender, persuasion. It’s one thing to get people to go where telescopes are, but its quite another to bring telescopes to the people. John Dobson and the San Francisco Sidewalk astronomers know that. So I took a tip from them and decided to build a public telescope on a Washington sidewalk, or as close as the Fine Arts Commission and the National Capitol Planning Commission would allow. Thus was born the Public Observatory Project at the National Air and Space Museum.

POP’s goal is to put a high-end fully professional telescope where the people are. These will be people who are not looking for a telescope to look through. No, these are the millions of people who come to Washington, to the Mall, to find themselves and their heritage. Encountering a telescope in the process, a big one in a visible white dome, one that can show you celestial sights of all sorts, will be a surprise for some, hopefully a delight to all. A modest value-added experience to what is a lifetime pilgrimage for many Americans.

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The Curtiss R3C-2 Racer, 1925

The Curtiss R3C-2 Racer was the world’s fastest airplane in 1925 when it captured the imagination and enthusiasm of the public for aviation. The museum’s curatorial, conservation, and collections preservation team has been able to take a closer look at it recently as part of the ongoing general renovation and reinterpretation of the Barron Hilton Pioneers of Flight gallery set to reopen in May 2010.

R3C-2 Racer in Pioneers of Flight Gallery SI97-16073

The R3C was actually two air racers in one. It could operate with wheels and a tail skid from an airfield (R3C-1) or a pair of floats, or pontoons, from the water (R3C-2) and it won races as both.

Among its many innovative features were radiators for cooling the engine (see the ridges in the top and bottom wings) that were built into its wings and fuel tanks built into the floats.

Army Air Service Lt. James H. “Jimmy” Doolittle and the Curtiss R3C-2 seaplane racer won the prestigious 1925 Schneider Trophy competition at Baltimore, Maryland, on October 26, 1925, with an average speed of 232 miles per hour. The next day Doolittle flew the R3C-2 over a straight course at a world-record speed of 246 miles per hour. Yes, this is the same Doolittle that led the famous raid on Tokyo during the early days of World War II.

Doolittle taxi's R32-C during Schneider competition.

Doolittle taxiing the R3C-2 out to make his speed run during the Schneider competition. NASM-2A39961_4

The R3C competed in two other races. The week before Doolittle’s victory, on October 12, 1925, Army Air Service Lt. Cyrus Bettis raced the airplane in its R3C-1 to win the Pulitzer Trophy race. Bettis won at an average speed of 400.5 km/h (248.9 mph). He also established a world record of 401.3 km/h (249.342 mph) for landplanes over a 100 km course. To be specific, Bettis and the R3C-1 were the world’s fastest pilot and airplane in 1925.

Bettis with R3C-1

Bettis and the R3C-1

During the November 1926 Schneider Trophy competition at Hampton Roads, Virginia, Marine Corps Lt. C. Frank Schilt placed second at an average speed of 372 km/h (231.4 mph) in the R3C-2.  Later on, he received the Medal of Honor for his aerial evacuation of wounded Marines while under fire by Sandanista rebels at Quilali, Nicaragua, in January 1928.

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All in a Late Day's/Night's Work

The National Air and Space Museum contains some of the largest artifacts in the world, which presents many unique challenges for handling  and displaying.  It is up to a small group of individuals, comprised of Collections and Restoration staff, to ensure artifacts are cared for and not damaged.  Carrying out these duties are neither easy or for the faint of heart as we frequently utilize heavy equipment, such as forklifts, basket and scissor lifts, cranes, etc., within inches of the artifact.  Working with less than an inch is typical as well.

Additionally, as the National Air and Space Museum has so many oversized artifacts in its collection, we operate our own tractor trailer to support the museum’s 3 locations.  Those who voluntarily operate the museum’s rig take on additional risks and liabilities as many more things can go wrong while loading and transporting an artifact.  This is especially the case when a load is oversized.  Despite being nerve racking at times, moving artifacts is usually an exhilarating experience.

One challenging move happened this past December.  Collections had to transport a Beechcraft D18S (a twin engine airplane) to the Stephen F. Udvar-Hazy Center in Chantilly, VA.  Due to its size, being 18 feet wide with the wings removed, meant it would have to travel at night with special hauling permits.  To make the move happen a lot of people and agencies were involved and coordinated with.  Besides numerous departments within the Museum, agencies such as Maryland’s State Highway Administration, Maryland State Police, Virginia Dept. of Transportation, Virginia State Police, and the Virginia Dept. of Motor Vehicles also need to be contacted.    Needless to say, any deviation from our original mission plan would be time consuming to change.

01 Loading

Loading the Beechcraft D18S at the Museum's Paul E. Garber Preservation, Restoration and Storage Facility in Suitland, MD

The day before the move date we loaded the airplane onto the trailer and made sure it was thoroughly secured and well marked/visible.

02 Pre-departure

Just before departure from the Garber Facility.

Despite being 18 feet wide, well marked, having escort vehicles complete with flashing lights, and taking up two full lanes, it is amazing with how many drivers did not keep a safe distance.  Thankfully the transport went well and we arrived at the Stephen F. Udvar-Hazy Center safe, albeit tired.  We pulled the tractor/trailer/plane inside to unload, which was nice as it was cold outside. Continue reading

Visit to Garber

One of the best things about working at the National Air and Space Museum is going to the Paul E. Garber Preservation, Restoration, and Storage Facility every now and then. The museum keeps aircraft that is being restored and artifacts that need special storage conditions–like spacesuits!—out there. Communications staff is required to accompany reporters working on stories about the museum’s artifacts, so whenever the story is about restoration or objects that are not on display, we get a chance to head out to Garber and hear the people who work on these artifacts talk about them.

The Smithsonian’s flight collection is the largest and most significant of its kind, with some 60,000 artifacts, including many of history’s most rare and iconic artifacts. Each time I go out to Garber I see something completely unexpected and remarkable, like the RX-2 experimental spacesuit that looks like a knight’s shining armor.

Garber

Or Neil Armstrong’s suit being carried out of the environmentally conditioned storage room:

Neil Armstrong Spacesuit Move